Latest DVD Reviews
The Karate Kid (1984)
The Karate Kid
brought something fresh to the table and proved exceptionally skilled at reaching its adolescent audience.
Alice in Wonderland (2010)
More tiresome than entertaining, especially with mind-numbing CGI exhaustion setting in early.
Shrek Forever After (2010)
Shrek Forever After
from utter mediocrity isn’t its high-priced superstar voice talent but veteran animator Dohrn, who steals the show by making Rumplestilskin the best oily runt since Danny DeVito last dispatched a taxi.
magazine pictorial-style imagery and excessive use of slo-mo are far more annoying than they are easy on the eyes, and the hyperactive editing is unbearable.
Sports pretty much everything one would want in a Western, and though it's not always eminently artful, it is rarely anything less than entertaining.
Edge of Darkness (2010)
As expertly headlined by Mel Gibson...
Edge of Darkness
makes a virtue of its fatalism, while ace mainstream director Martin Campbell compensates well for the script's shortcomings in the credibility department.
Worth seeing—and, yes, in a theater—for its legitimate "wow factor"...a visually intriguing diversion and instant movie history.
Crazy Heart (2009)
Bridges ably does his own guitar playing and singing, another reason
is a gift to those who have long appreciated his talents.
Clash of the Titans (1981)
Though Harryhausen's glory days were past him, he and his team do provide some magical moments.
Rather than simply repeating the successful formula of
, which incorporated humor but largely played it straight,
flips the script for a largely comic action picture punctuated by a dark, rug-yanking conclusion.
The biggest impression left by
is the characterization of Sanjuro, whose iconography of stoic cool (that inspired Clint Eastwood's antiheroic "Man with No Name") is consistently undercut with dashes of comical realism...
Broken Embraces (2009)
This isn't the first time Almodóvar has explored cinema and its power to change lives, but for all its colorful visuals and narrative sophistication, the story feels more insular than ever.
The Blind Side (2009)
Surely post-recession America will turn out in droves for this cinematic version of a hug. But should they?
The Princess and the Frog (2009)
The beautifully hand-drawn
The Princess and the Frog
keeps up a brisk pace and energy, but only partly achieves the effervescence of a Disney 'classic.'
Wondrous, weird, and sweetly innocent,
is a tale bursting with love, which is recommendation enough for the young and the young at heart.
Bigger Than Life (1956)
The sort-of picture-perfection of the suburban home...is a tenuous cover for the unpredictability of life, the short distance between the American Dream and the American nightmare.
The Negotiator (1998)
This highly incredible story lives and dies on its leading performances, so it's a damn good thing someone hired Jackson and Spacey to go toe to toe.
Logan's Run (1975)
Despite its grabber of a premise,
flaunts poorly developed plot specifics; as such, it's terminally silly. Nevertheless, as a camp curio, it still has an odd but undeniable staying power.
A stealth epic, framing an urban jungle and making its own kind of contemporary history by pairing acting giants Robert DeNiro and Al Pacino in what has arguably become the preminent cops-and-robbers movie.
What to make of short-attention-span artists satirizing a short-attention-span world?
Black Dynamite (2009)
Well-mined comic territory...dutifully—and it must be said, expertly—recreates the rough cinematography, cheesy production design...and incidental music that sounds like chintzy soul crossed with a Quinn-Martin TV score.
The Stepfather (2009)
Any subtlety or implicit social satire to be found in Joseph Ruben's original went out with the last neighborhood trash pickup. Too bad the service was canceled before it could haul away this waste-of-time remake.
Justice League: Crisis on Two Earths (V) (2010)
As punchy superhero entertainment for kids goes, this is fairly provocative stuff that should get the young'uns thinking along with their thrills.
New York, I Love You (2009)
Some of the twelve short films are nice enough, some are shaky and a few are outright awful...
A potent mood piece lifted by gorgeous cinematography, resonant performances and, above, all, Spielmann's sensitive filmmaking.
Coco Before Chanel (2009)
A rather dull and unchallenging account of one woman's ambitious social climb in a man's world...If Chanel's early years were really this boring, why bother with them?
The Time Traveler's Wife (2009)
with a sci-fi twist...this love story made up of signs and wonders suggests to savor the time you have.
Law Abiding Citizen (2009)
'It's going to get Biblical!'...sets new standards of lunatic plotting as it goes about its smiting.
The Last King of Scotland (2006)
Graham Greene it's not....Whitaker's striking work aside,
The Last King of Scotland
is insipid, obvious movieland history.
Walk the Line (2005)
A dash more authentic--or, at least, more subtle--than its Hollywood spawning and Taylor Hackford's come-on-strong take on [Ray] Charles would seem to predict.
A smart little genre outing, an endangered species in modern Hollywood.
The House of the Devil (2009)
A very impressive formal exercise in style and restraint...
Michael Jackson's This Is It (2009)
A hall-of-mirrors investigation of extraordinary talent, emotionally stunted personality, a performer’s process, and the cruel mistress of celebrity...but it also serves as a powerful performance version of a last will and testament.
Weeds: Season Five (2009)
No one can accuse the show of shrinking from dark psychological themes: the leading character of Nancy Botwin (Emmy winner Mary-Louise Parker) has spun more wildly out of control with each season...
Cheaper by the Dozen 2 (2005)
Okay, everybody, back to your shopping--there's nothing to see here.
As preposterous as this "
on a mountain" flick is,
remains one of the zestier big-budget action pictures of the nineties.
Last Action Hero (1993)
Considered a dunderheaded big-budget flop in its day,
Last Action Hero
looks considerably better now in its creative self-parody.
Jennifer's Body (2009)
Sets thoughts swirling about three bitch-goddesses: the teenage variety (namely Megan Fox’s Jennifer), “success” in the commercial cinema, and that fickle mistress called hype.
The Hangover (2009)
The stupid fun of
is worth experiencing at least once.
Jones has a very interesting existential idea here, and though he frustratingly doesn’t exploit its every possibility, he does give a great actor an opportunity for a tour-de-force performance.
All site content © 2000-2016 Peter Canavese.
Page generated at 05/02/2016 12:25:18PM.