Latest Home Video Reviews
Justified: The Complete Second Season (2011)
remains one of the most satisfying hours on television, creating a illusion of the social margins of Southern life that's convincing enough that we want to believe in it.
The Guard (2011)
The film's self-conscious gestures in the direction of fish-out-of-water comedies, buddy-cop movies and Westerns don't amount to much in and of themselves, but they tie together as a functional clothesline for character comedy and left-field drama.
The Rocketeer (1991)
A charmer in its gee-whiz, irony-light resuscitation of the movie serials of the '30s.
Dolphin Tale (2011)
In the hands of actor-turned-director Charles Martin Smith, this kid-centric drama provides a welcome family option with positive values and a minimum of frantic, noisy CGI. It's a tale told on a human (and animal) scale.
West Side Story (1961)
A landmark screen musical that left its own indelible stamp on popular culture.
The Help (2011)
accepted more of Davis’ help, we might have a work of art on our hands instead of another condescending, half-baked history lesson.
Our Idiot Brother (2011)
Little Miss Sunshine
-y...a sunny sitcom of family dysfunction...
Sarah's Key (2011)
Strong work from Mayance and Thomas keeps
from rusting amid the sometime soddenness of the script.
Three Colors Trilogy (2012)
Unsparing character studies, using the specific to illuminate the universal.
Blue Velvet (1986)
Works brilliantly as an allegory of American repression and willful illusion of order, Lumberton's forced-smile '50s sensibility unable to keep down the anarchic, raging id that is humanity's primal drive.
Winnie the Pooh (2011)
A back-to-basics charmer evoking the Pooh short films from the '60s and '70s.
When they're not risking their lives with exciting spy maneuvers, Blaster works out to Lady Gaga and Juarez updates her Facebook page. Okay, so maybe
is just a tad self-consciously 'hip.'
Are your kids ready for an existential movie? Turns out they are: Disney's CGI-animated action comedy
is, at its core, a story of one individual's discovery that his sense of reality...has been seriously skewed.
Harry Potter and the Deathly Hallows - Part 2 (2011)
Thematically, like any good myth, the Harry Potter story comes full circle, with a heroic homecoming and the promise of more adventures, if only in our imaginations.
Cars 2 (2011)
Director John Lasseter pushes the credo 'Story is king,' but the sequel to the 2006 hit
unwittingly abdicates the throne.
Toy Story 3 (2010)
A story with timeless, universal themes: family, coming of age (and leaving behind childish things), and the inevitable time when, past our prime, we will all face potential social obsolence.
Toy Story 2 (1999)
'You can't rush art.' Pixar's bliss in art and play is part and parcel of both the creation and the meaning of
Toy Story 2
, a celebration of the pure joy of doing.
Toy Story (1995)
Introduced not one but two indelible characters to the pop culture pantheon: cowboy rag-doll Woody (Tom Hanks) and plastic space ranger Buzz Lightyear (Tim Allen).
The Lion King (2011)
It's not hard to understand why
The Lion King
's good-vs.-evil adventure and high-spirited comic passages haven't lost their appeal.
The Tree of Life (2011)
[Malick] wants to see so much: people and through people to their souls, the world and through the world to the ineffable, life and death and through them to their meaning. And...he wants to help us to see it all too.
Beauty and the Beast (1991)
As far as 'Classic Disney,'
Beauty and the Beast
pretty much has it all. Y'know, for kids (of all ages).
Jackie Brown (1997)
Succeeds as a witty Elmore Leonard crime story...but also as a surprisingly affecting mid-life romance.
Pulp Fiction (1994)
A balls-out postmodern comedy
. It's a Royale with Cheese.
Pirates of the Caribbean: On Stranger Tides (2011)
The problem with attempting to replicate the 'magic,' such as it was, of
Pirates of the Caribbean: The Curse of the Black Pearl
is you get something very close to a replica, minus the novelty.
Green Lantern (2011)
On brightest screen, in threest-D,
It's the latest franchisee.
This superhero's super-slight;
Beware two hours...
Space Jam (1996)
If you weren't a kid when you first saw
, you're a lot less likely to find it palatable.
Pee-wee's Big Adventure (1985)
A purely creative movie that one must admit has no equal in cinema history (for better or worse).
The Bad Seed (1956)
The dark drama that launched a genre of evil-kid movies.
The Cutting Edge (1992)
The only thing that could make
The Cutting Edge
more absurd would be if the final competition revolved around a potentially deadly, possibly illegal move called the Pamchenko Twist. Wait, it does? Never mind.
Four Weddings and a Funeral (1994)
Not everything works out neatly for everyone, but life seems a little better by the end of two hours' struggle, for the characters and for the audience.
Wedding Daze (2007)
Something of a train wreck...[but] comedy scavengers may find it worthwhile to pick through the remains for a few amusing gags.
A Guy Thing (2003)
Cycles through the same old cliches, like squares accidentally being dosed with drugs, overzealous pharmacists blaring out sensitive medical information (nothing like a good ol' venereal disease joke), and climactically scotched weddings.
Honeymoon in Vegas (1992)
The romantic comedy version of its setting: an overgrown theme park that momentarily amuses, wears down the body and spirit, but mentally stays behind.
Charlie and the Chocolate Factory (2005)
Never stops doling out demented treats....Dahl's morality play of bad parenting and bad-egg kids is evergreen....a genuinely amazing movie.
African Cats (2011)
The characters in the latest Disney film frequently attack each other, sometimes eat each other, and spend the whole time running around naked.
doesn’t have the reassuring clarity of a straight path from starting block to finish line, its fits and starts are pretty good.
Judy Moody and the Not Bummer Summer (2011)
It’d be nice to report that this film with a still-all-too-rare female protagonist is a great time at the movies, but alas, not so much.
Poltergeist II: The Other Side (1986)
They don't come much more ridiculous...
Last House on the Left (1972)
A depraved exploitation film specifically designed to shock and repulse viewers...also a cultural artifact reflective of and reactive to the time it was made...
O Brother, Where Art Thou? (2000)
Even with its mock-pretentious parallelism to
O Brother, Where Art Thou?
refuses to take itself seriously, which is both its principal failing and its charm.
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