Latest Film Reviews
The Manchurian Candidate (2011)
Set the standard for cinematic paranoid thrillers and stands as the quintessential John Frankenheimer film.
Project Nim (2011)
Fascinating characters...inescapably provokes consideration of the human animal’s primal nature.
Hobo With a Shotgun (2011)
The screenplay plays like the result of a 'Write the Most Vile Line Ever' contest, which in itself will be a huge draw for cinematic dumpster divers.
Louie: The Complete First Season (2011)
Seemingly conceived on the fly as much as it's shot on the fly,
cultivates the unexpected.
More interested in melancholy wryness than belly laughs, and the low-key results have a pleasant fizz.
Both Buck and
endorse sensitive care for the voiceless, whether they be horses or cowed children.
Zazie dans le métro (1960)
Jazzy and daring...takes Raymond Queneau's novel—the sort generally considered 'unfilmable' and makes a film so cinematic as to appear
Original Sin (2001)
Though written and directed by a Pulitzer Prize winner,
is better known as the picture in which a naked Angelina Jolie (by then a certified Oscar winner) and Antonio Banderas do the horizontal mambo.
People on Sunday (a.k.a. Menschen am Sonntag) (1930)
People on Sunday
regards people lazing about, its legacy is that of filmmakers proving their industriousness.
The Long Riders (1980)
Hill's lean, mean approach never had a more appealing texture than it does here...
Larry Crowne (2011)
Has the consistency of an individually wrapped slice of Velveeta.
Of Gods and Men (2011)
Loses some power by letting the central debate fizzle out...but rallies in the end with an eloquent post-climactic testament by Christian, an attempt to respond rationally to the irrational.
benefited from the creative freedom of '70s cinema...at its best when it's most creatively subversive...
New York, New York (1977)
Ultimately a very personal film about how Scorsese views a genre of film and, as such, has a much more coherent vision than its reputation would suggest.
Harry Potter and the Order of the Phoenix (2007)
The latest workmanlike entry in what must be regarded as an unprecedented film series has plenty of flaws, but also the franchise's reliable draws.
Harry Potter and the Half-Blood Prince (2009)
Emerson said, 'A foolish consistency is the hobgoblin of little minds,' but in this franchise--where you’re likely to spot a hobgoblin or two--the consistency isn’t foolish but miraculous.
Spectacle: Elvis Costello With... - Season Two (2011)
Features the leading light of popular music today, Elvis Costello, as host and regular perfomer.
Reflects Roeg's views of the absurdity of American history and our compulsion to destroy beauty.
The Makioka Sisters (1983)
Well acted by a strong ensemble,
The Makioka Sisters
quietly, steadily (and almost imperceptibly as it happens) endears us to these women, investing us in their varied fates.
Cedar Rapids (2011)
Detailed and consistently funny observation of small-town sincerity muddling through a dog-eat-dog world.
The Boondock Saints (1999)
It's one thing to make a film that's violent and profane; it's another to make one that's a moral black hole, and to do it because black looks cool.
The Trip (2011)
Reunites the delectable pair of Steve Coogan and Rob Brydon, real-life actor-comic friends who play versions of themselves to highly amusing and oddly wistful effect.
Cuts the whimsy with melancholy...its case of the cutes isn’t terminal.
Being Human: Season Three (2011)
Turner's character of Mitchell, a century-old vampire, gets a go-for-broke story arc that sends him off in a satisfying way.
The Misfits (1961)
Deconstructs Hollywood's cowboy myth with a mythic Hollywood cast: Clark Gable, Marilyn Monroe, and Montgomery Clift.
Death at a Funeral (2007)
Proves you can spell funeral without 'fun.'
A not-bad thriller starring Liam Neeson. If that sounds like faint praise, it is, but at least this overgrown 'B'-movie tickles the brain just a tad...
Battle: Los Angeles (2011)
Neuron-rotting brain candy: an empty action exercise made up of empty calories. That'd be fine, if only it were sweet.
Throbs with a simple truthfulness...Loach shows his complimentary interest in documentary-influenced social realism and the improvisational search for the authentic.
Super 8 (2011)
Let's be honest: the b.s. sci-fi plot is so much empty machinery, which becomes steadily more apparent as the film wends its way toward a heavy-metal climax that's narratively and emotionally questionable.
It's all here: the famous Bill Conti fanfare, the 'Gonna Fly Now' training montage, the inevitable 'David and Goliath' climax.
Some Like It Hot (1959)
The preeminent comedy of anima...effervescent and breezily paced, from the car-chase opening to the big finish capped with one of the all-time-great punchlines.
Dead Man Walking (1995)
Has the distinction of including not one, but two of the greatest screen performances of all time...undeniably one of the most gut-churning emotional experiences of 1990s cinema...
Breaking Bad: The Complete Third Season (2011)
This most unusual dramedy of errors is one of the most riveting hours on television...
continues to shock and delight.
Remains an intriguing blend of the political and the personal, with Stone turning his memories and his opinions about Vietnam into potent drama.
The Man Who Would Be King (1975)
Kipling's exhilarating and disconcerting tale of high adventure...
The First Grader (2011)
The weakness of the film is in its blandness of character and obviousness of storytelling: it’s all kept storybook simple...
The Hustler (1961)
Compelling from start to finish...with heartfelt speeches and dialogues that disturb hidden depths and allow the truth to rise to the surface.
Green Lantern: Emerald Knights (2011)
The cosmic equivalent of hearing a Homeric epic in ancient times: we thrill to the battles, we wait with bated breath for the appearance of our favorite characters, and we root for noble, righteous warriors.
Gnomeo & Juliet (2011)
And thus the old joke has finally been fulfilled of someone pitching
Romeo and Juliet
to Hollywood and hearing in response, 'Couldn't they live at the end? I mean, it's kind of a downer.'
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