Latest Film Reviews
Glee: The Complete First Season (2009)
Murphy has proven there's an appetite for the musical format on television, as long as it's (in alphabetical order) AutoTuned, big, bold, brassy, and candy-colorful.
The Third Man (1949)
Greene's story and screenplay, which he accurately described as 'a comic thriller,' is a gift that keeps on giving, with patter that's never less than brilliant.
A Nightmare on Elm Street (2010)
Ol’ Cusinart Hand is back in
A Nightmare on Elm Street
, a pointless, unimaginative 're-imagining' of Wes Craven’s cleverly conceived slasher movie.
Lucía y el sexo (Sex and Lucía) (2002)
A bizarre, alternately joyful and gloomy take on sexual fantasies and complications.
Coco Chanel & Igor Stravinsky (2010)
Ultimately, Kounen takes two hours to say not very much; one imagines him constantly barking, “More smoldering!” [but there's] a captivating, fully realized recreation of the premiere ...[of]
The Rite of Spring
Camp Rock 2: The Final Jam (2010)
Prince of Persia: The Sands of Time (2010)
All about the empty spectacle, sound and fury building to multiple climaxes (without the pleasure).
Red Riding (2010)
Thematically adventurous...the bloody shocks that paint the town
emerge from suburban squalor: dirty streets, dirty crimes, and dirty politicians.
THX 1138: The George Lucas Director's Cut (2004)
May be a naively simple variation on that other George—Orwell—but it remains a dazzling triumph of creativity and style over financial limitations.
A Scanner Darkly (2006)
Richard Linklater brings a new novelty to a Dick adaptation: fidelity to the source.
The Matrix Reloaded (2003)
The encoded bloom is off the digital rose in
The Matrix Reloaded
The Simpsons: The Complete Thirteenth Season (2001)
In its thirteenth year on the air,
may have been past its prime, but it retained a keen sense of the bizarre while also recommitting to telling some family-themed stories with a more heartfelt core.
The American (2010)
If it’s half-baked Italian modernism you’re after, you’ve come to the right place.
Cairo Time (2010)
The picturesque romantic travelogue...is as obvious but elegant as the bit of symbolism that ends it.
The Vampire Diaries: The Complete First Season (2010)
[This] blend of swoony romance and horror-styled action...[isn't] shy about detonating plot twists.
Animal Kingdom (2010)
A “human nature film,” a crime drama that observes cops and robbers in their natural habitat and studies their instinctual behaviors.
Cemetery Junction (2010)
A humble riff on the well-worn coming-of-age film.
Withnail & I (1986)
One of the funniest elements of
Withnail & I
is that it concerns three varieties of drama queen: the flamboyantly dark-minded Withnail; neurotic, ill-equipped Marwood, and the larger-than-life Monty.
Time Bandits (1981)
A smart and imaginative fantasy with appeal for the whole family is always cause for celebration...
rivals Roald Dahl in its surrealism and satire.
Mona Lisa (1986)
As a study of social façades as a means of social climbing, and as a character study of Hoskins' would-be angel,
The Long Good Friday (1980)
The screw-turning plot is great fodder for Hoskins and Mirren, who expertly calibrate their stressed-out character arcs.
Lost: The Complete Sixth Season (2010)
After six attention-grabbing seasons on the network airwaves,
has turned out to be more than the sum of its parts.
Pandora and the Flying Dutchman (1951)
Its unique oddball blend of fatalistic Hemingway-esque masculinity, swoony romance and mythology, literary allusions...and grab bag of styles...makes
Pandora and the Flying Dutchman
nearly as hypnotic as the romance it retells.
Darkly funny, haunting, and perhaps hopeful...there's a keen sense of absurdism (and in Agnès Godard's brilliant photography a sort of surrealist realism, if there is such a thing) in the circumstances.
Nanny McPhee Returns (2010)
One is always in good hands with Thompson, even in this kiddie franchise...for the kids, there’s not only the sobering reminder that they're works in progress but also lots of...fairy-tale magic, with a touch of
’s farm charm.
Furry Vengeance (2010)
Brought to you by Participant Media, makers of
. Next time, guys, give a hoot and don’t pollute the multiplex. Save the children.
Elvis on Tour (1972)
Consummate showmanship...evidence of a huge pop idol and savvy showman with a finely tuned stage act.
The play widely regarded as the best piece of dramatic literature ever written...[in] the only unexpurgated big-screen version.
The Last Song (2010)
How do I find thee ridiculous,
The Last Song
? Let me count the ways...
Eat Pray Love (2010)
Julia Roberts and voluptuous production value contribute mightily to this ultimate of wish-fulfillment tales.
The Joneses (2010)
The premise begs for wicked bite, but winds up poking along amiably. That’s the problem with these Joneses: it’s all too easy to keep up with them.
Date Night (2010)
Much as I would prefer to see the subtler Carell of
Dan in Real Life
comically negotiate a struggling marriage to Fey, we’re in a land of gunfire and super-computers.
Bull Durham (1988)
Deserves its status among sports films, but its ongoing appeal reflects that it's something more: an old-fashioned romantic comedy that succeeds in establishing and deepening memorable characters through memorably flavorful dialogue.
Escape From New York (1981)
New York is the ghost town and Van Cleef the corrupt sheriff in
Escape from New York
's thinly disguised postmodern Western, with ex-soldier Russell as the anti-establishment hero who won't cotton to anyone's code but his own.
Being Human: Season One (2010)
So a vampire, a werewolf, and a ghost walk into a bar...
What's Up Doc? (1972)
No one is going to match Grant and Hepburn, but Ryan O'Neal and Barbra Streisand give it the ol' college try in the criminally entertaining
What's Up, Doc?
The Ghost Writer (2010)
The director’s shrewd and witty approach to the material demonstrates his finely tuned sense of the absurd.
National Lampoon's Vacation (1983)
Though lacking in narrative and comic sophistication,
National Lampoon's Vacation
has something arguably more important: built-in, instant audience identification.
Get Low (2010)
A welcome late-career showcase for Robert Duvall...fits snugly into the traditions of Southern literature, particularly the tensions between gentility and eccentricity, the community and the individual, and man and God.
Middle Men (2010)
Gallo's self-consciously overstated direction feeds the impression that he's trying to remake
can we all agree by now that the use of 'Sympathy for the Devil' in crime pictures ought to be outlawed?
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