Latest Film Reviews
The Red Shoes (1948)
A sublime melodrama...[with a] still astonishing expressionistic dance sequence.
Perhaps its best that
keeps its ambitions humble, but a dearth of inspiration makes this fifth
film dangerously close to a rehash of the first.
Despicable Me (2010)
Weds a Charles Addams drollness to Looney Tunes one-upmanship.
The Girl Who Played with Fire (2010)
Lacking the psychological intimacy afforded by the page, Daniel Alfredson’s film won’t inspire better than a shrug from audiences.
A Single Man (2009)
A patient and never less than gripping character study that serves as a reminder of the emotional intimacy achievable on film.
She's Out of My League (2010)
Tends to be off-putting, which is a shame, because it's on to something about the dynamic between put-together women and the legions of nervous men who shoot themselves in the feet while longing for them.
Percy Jackson & the Olympians: The Lightning Thief (2010)
An enjoyable PG-rated family adventure in its own right, but Columbus' film can't live up to the Potter gold standard, and it strays enough from Riordan's source material to make its tween readership blow a gasket every few minutes.
The White Ribbon (2009)
Haneke's noodlings on the nature of evil...reach a sort of culmination in
The White Ribbon
, 2009 Palme d'Or winner at the Cannes Film Festival.
Hung: The Complete First Season (2009)
The timing is right for HBO's half-hour dramedy
...a darkly tinged recessionary comedy of (self-)destruction and erection.
A dumber version of the
franchise, but this initial picture works anyway, as an atmospheric exercise in pure, primal action with a science-fiction-y twist.
Flash Gordon (1980)
A campy cult classic remembered for its over-the-top acting, design, and music by Queen.
Green Zone (2010)
Serves up soldiers, spies, politicians, reporters, and Iraqi civilians who speak almost entirely in clichés.
Supernatural: The Complete First Season (2005)
Urban legends and archetypal mythology go out for a horror spin...Though the series' mythology is distinctly dark, there's also plenty of fun to be had...
Joan Rivers: A Piece of Work (2010)
Emphasizes the dog-eat-dog nature of show biz...[but fails] to illuminate, or apparently even investigate, the early source of its subject’s hungry void.
When in Rome (2010)
Can I interest you in a nice nap?
Everlasting Moments (2009)
'You see what you want to see'...either a quietly affecting, top-drawer drama or a Hallmark Hall of Fame TV-movie dressed up in Euro-indie clothing.
The Illusionist (2006)
Burger winningly combines relatively rare elements--a turn-of-the-century setting, an assured star turn by Edward Norton, and a deft Philip Glass score--to pull off a tricked-out romantic thriller.
Solitary Man (2010)
Wry and melancholic,
as a character-study showcase worthy of Douglas’ ability.
Not the Messiah (He's a Very Naughty Boy) (2010)
The very concept of turning
Life of Brian
, itself a filmic spoof of Biblical epics, into a spoof of Handel's
is funny, and the name—riffing on one of
Life of Brian
's most famous lines—is genius.
Despite being ungainly,
is the kind of comedy you can pan for gold in...
The Rookie (1990)
The one in which Clint Eastwood gets raped...
Kelly's Heroes (1970)
A strange but mostly satisfying hybrid of WWII actioner and anti-war satire...
Where Eagles Dare (1968)
A straight-ahead, old-school action movie for war-espionage junkies.
Shutter Island (2010)
Multiplex entertainment this distinctive and provocative doesn’t come along every day: it’s a head trip well worth taking.
Get Him to the Greek (2010)
Reaches its apex with a manic party scene that unleashes the full intimidation of P. Diddy and guarantees the phrase “stroke the furry wall” a place in the comedy lexicon...
Lady Vengeance (2006)
Delivers more than the filmmaker ever has before...richer themes and more skillful audience involvement.
Sympathy for Mr. Vengeance (2005)
Park pays most of his attention to visceral style, but he sketches in enough about his characters to make them frighteningly relatable.
The Edge (1997)
Mamet has always been concerned with primal masculinity...The test of these men is twofold: can they survive the wilderness, and can they survive each other?
Hamlet (TV) (2009)
Tennant's restless Hamlet is never boring, and it's not irredeemably a stage performance on camera: at times—like the ever-intimidating 'To be or not to be speech'—Tennant curls up into fetal intimacy...
The Basketball Diaries (1995)
It was impossible in
The Basketball Diaries
not to take notice of DiCaprio's seemingly undauntable talent, as he channeled the tortures of the drug-addicted damned.
Dear John (2010)
Like a couple of hours of channel-surfing among the Travel Channel, the History Channel and Discovery Health.
Valentine's Day (2010)
Now, don't get me wrong.
is bad. But it's difficult to
a Garry Marshall movie.
Despite hewing fairly closely to the facts, has trouble seeming truthful. Practically everyone behaves like an allegorical symbol rather than a person, a problem the script anticipates and acknowledges but only feebly attempts to solve.
By Brakhage: An Anthology—Volumes One and Two (2010)
Nearly all of Brakhage's films convey an astonishing blend of abstraction and representation, a hypnotic flow of pure cinema, an orgasmic discovery of the possibilities of the camera and editing technique, a hungry sensuality.
Leave It to Beaver: Season Three (1959)
Will eternally be the iconic televisual picture of '50s Americana...Theodore "Beaver" Cleaver was the original adorable sitcom kid...
Curiously and effectively weds the unlikely adventure of a thriller to the plodding realism of daily life...
Presumed Innocent (1990)
As moody mysteries go, the courtroom drama
is among the moodiest.
Analyze This (1999)
Thanks to three very strong writers...and the willpower of its leads,
turns out to be an amusing piffle.
The Neverending Story (1984)
It's very hard not to give in to
The Neverending Story
's heart-in-the-right-place charms amidst an increasingly anti-literate society.
True Blood: The Complete Second Season (2010)
A truly unique entity in the TV landscape (I know, it's not TV; it's HBO)...fantasy, science fiction horror, Gothic romance, mystery, action, and soap opera.
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