In the callused hands of director David Mackenzie...the rigorously tough-minded Asylum lives up to its potential as a modern masterpiece of psychological terror. 

In the callused hands of director David Mackenzie...the rigorously tough-minded Asylum lives up to its potential as a modern masterpiece of psychological terror. 

Without belaboring his narrative shaping, Arlyck asks big questions about life paths and philosophical drift. 

Too seldom clever, too often tiresomely busy, and wasteful of its voice cast, it's Hoodwinked that is the crime. 

When coach Don Haskins sent out five African-American starters to face off against an all-white Wildcat team, barriers were broken, but Glory Road just hits the wall. 

Bypasses the mythic tone of Richard Wagner's opera...without forsaking storybook romance. The inoffensive results get the job done, but sadly fail to excite. 

Howard's work as Djay is sort of dazzling, but his character's unrelentingly selfish behavior makes audience identification an uphill battle. 

Writer-director Richard Shepard speeds through the hairpin turns of a pure-comedy 'what if?' premise....as quirkily suspenseful as it is ticklish. 

Grabs for the gut by stoking primal understandings about our loving but tragically distant relationship with the wild. 

Amounts to little more than an austere and extremely prolonged episode of Alfred Hitchcock Presents. 

A potent legend of modern international relations. 

A bit of a sprightly-tragic mess, but if one doesn't try to sum up its parts, it's plenty entertaining in a nostalgic, old-movie way. 

Has the plaintive, lyrical feel of a classic Southern short-story. 

Rock crumbles, wood splinters, and cartoon sound effects yelp in Chow's full-bore looney tune. 

So good-natured and well-intentioned (showcasing as it does up-and-coming Latino bands) that it's tempting to overlook its significant narrative flaws. 

Rhyming narration and highly-stylized disproportionate designs distinguished the theatrical cartoon[s]....colorful divertissements for kids. 

A startlingly relevant 'social problem film' (shakai-mono)--of its time and our own--and an existential melodrama by way of Hamlet. 

Pierre Salvadori's consistently engaging Après vous... begins with an interesting situation and complicates it into delightfully excruciating farce. 

A modern romantic comedy movie transplanted to 18th Century Venice...Hallstrom's fleet-footed romp is impossible to take seriously, but that's largely the point. 

For a movie purportedly about the truth behind a movie, the mushy Rumor Has It... feels astoundingly false. 

The diminished return of the English striptease comedies...neither swanky nor funny enough to entertain, and Sherman's shallow script never earns its melodramatic turns. 

The man's increasingly crazifying attempts to make serious films are still nothing more than good movies. Perhaps only Spielberg could fail so spectacularly well. 

From whence comes a filmmaker as original and strange as David Lynch? 

Starts out as a nifty satire, then turns ghastly for most of its running time. 

Cheaper By the Dozen--inspired by the book by Frank Bunker Gilbreth Jr. and Ernestine Gilbreth Carey and a 1950 screenplay by Lamar Trotti--has all the comic sensibility of a food fight. In reality,... 

Unprecedented nonsense that--fashions aside--will remain timeless comedy cinema. [new DVD review] 
"Dumbland is a crude, stupid, violent, and absurd series. If it is funny, it is funny because we see the absurdity of it all." —David Lynch
What happens when a world-class film director thro... 

It's difficult enough for filmmakers to make great films from great novels, but cinema's short history has seen plenty of fine adaptations. Hollywood's failure to make more than a handful of satisfac... 
Stands out for its sheer audacity of subject matter and its sustained emotional-roller-coaster effect: it's quite possibly the most high-strung movie ever made. 

An unusual and rich blend of epic film and memory play. 

The film's ambition makes Burnett's occasional overstatement easy to forgive. 

Offers plenty to appeal to children and adults, and the clever ending delivers one more treat to pay off the story's tricks. 

Essentially, The Batman/Superman Movie is an action comedy, a superhero "buddy picture"...this eventful superhero adventure delivers twice the fun. 

Fans of the series will be hooked, if not thoroughly delighted, and others may prove unable to resist the train-wreck spectacle...unabashedly cheesy but 100% mesmerizing. 

"The Great British Public" says the darndest things....creature comforts tickles most effectively in its small doses, but its cleverness and craft are undeniable. 

Fans will be positively enthralled at the well-preserved nuggets, and neophytes will understand the fuss over the musician and the man. 

Sometimes resembled a weekly Neil Simon play...but James Brooks' celebrated brilliance with emotional storylines also justified experiments in the absurd and satirical. 

Frasier was a series that enjoyed dabbling in farce, and the sixth season includes some relatively simple farcical gestures...as well as full-blown efforts. 

A typical season of Cheers, which is to say 'excellent.' 

Occasionally hit the heights of Trek feature-film action, and often used the plot to ask the moral questions that have been Trek's raison d'être on TV. 

Repetition is what sent longtime Trek fans packing...[but the] season does muster a number of good episodes...while maintaining its high quality of production value. 