Latest Film Reviews
a/k/a Tommy Chong (2006)
Josh Gilbert's smoothly produced documentary
a/k/a Tommy Chong
should leave even Nancy Reagan aghast at the unfair trials of comedian Tommy Chong.
12 and Holding (2006)
Cipriano and...Cuesta (
) show realism, tender regard, and the benefit of the doubt for their young characters, but little of the same to their childish parents.
Haneke's exploration of willful ignorance, guilt, and history takes hold, and doesn't quite let go when the lights come up.
A Prairie Home Companion (2006)
A nutty, fictional ode-elegy to a show that's still going strong,
A Prairie Home Companion
offers a unique hybrid of a folksy American showman and an improvisatory impresario.
a fresh bid for indie-thriller cred....[but] watching Gamazon and Dela Llana charge through their limitations is a bit like watching a sprinter run in clogs.
isn't the studio's champion outing, Pixar continues to run on all cylinders.
The Omen (2006)
If you've never seen
, the technically well-made remake is an effective chiller a cut above today's standard, but if you have, there's no reason to watch this rote replay.
The Passenger (a.k.a. Professione: reporter) (1975)
As usual, Antonioni's pace is langorous, but
is never less than compelling.
The Heart of the Game (2006)
[An] inspirational tale, which values team spirit even as it celebrates the will of two talented individuals.
Frasier—The Complete Seventh Season (1993)
Miraculously fresh after seven seasons on the air,
continued to spin complicated farcical situations and....expertly brought the Daphne-Niles relationship to a boil.
Swimming Pool (2003)
French filmmaker François Ozon takes pages from Hitchcock, Lynch, and fellow countryman Chabrol in Swimming Pool, one of the few buzzed-about films of this year's Cannes film festival. An ode...
The Break-Up (2006)
At least one draft short of brilliance....[but] more palatable than the typical romantic comedy, thanks in large part to Vaughn's engaging duets with the ensemble.
An Inconvenient Truth (2006)
Definitely propaganda on an issue that remains divisive....[but] Even if Gore is wrong, and I'm not saying he is, his proposed solutions are common-sensibly sound.
The 'free spirited innocent' archetype doesn't convincingly share residence with this numbly sexual Lolita.
The Puffy Chair (2006)
[Not] very amusing--its stabs at humor are low-key to a fault, and too sporadic--but it is mostly truthful about yuppie love, and that's something.
Dr. Katz: Professional Therapist: Season One (TV) (1995)
Arguably, the more satisfying elements of the series were its miniaturized sitcom elements, which in their way did
The Bob Newhart Show
one better in their low-key, true-to-life ramblings.
The Proposition (2006)
Cave uses the taming of Australia as the backdrop for a nasty, dirty western about the implications of violence.
Sgt. Bilko—The Phil Silvers Show—50th Anniversary Edition [DVD Box Set] (1955)
Served up a solid-gold sitcom character in Silvers' conniving Master Sergeant Ernest G. Bilko.
See No Evil (2006)
Amateur Hour-and-a-Half....It isn't fit for human consumption.
I Love Lucy—The Complete Sixth Season [DVD Box Set] (1956)
The alpha sitcom of the fifties and forever more,
I Love Lucy
went out, without ceremony, at the top of the ratings heap.
Keeping Up with the Steins (2006)
Fatally short on laughs. The jokes are mostly bad vaudeville, as when Piven asks, "How much for 50 Cent? Okay, how about 17 Cent?"
Over the Hedge (2006)
The voice work and animation are both a cut above the average, and the film's energy is brisk.
National Treasure (2004)
It's bad news when a Bruckheimer movie makes one downright nostalgic for
Banshun (Late Spring) (1949)
exemplifies Ozu's rich, mature style, an apparent stylelessness of patient, lifelike rhythms, unobtrusive camerawork, and credibly subtle performances.
Wenders bops around Tokyo with the assurance of a skilled filmmaker, and emerges with an understated but certainly curious sociological postcard of '80s Tokyo.
The Andy Griffith Show—The Complete Sixth Season [DVD Box Set] (1965)
The sixth season proved there was still life in the now-classic sitcom...[and] Knotts shows up in an Emmy-winning return appearance.
The White Countess (2005)
[The] soft-glowing facade always seems more real to Ivory than harsh reality...represent[s] our own attempts to stave off reality with the romantic projections of cinema.
There's camp, and there's just plain lousy writing.
The Lost City (2006)
The Lost City
is a lot of things, but what it's not is incisive.
Goal! The Dream Begins (2006)
Obvious...All [but soccer fanatics] can pass on
Goal! The Dream Begins
and make plans now to avoid its two upcoming sequels.
An American Haunting (2006)
On more than one occasion...a girl scrapes her fingernails across a wood floor as an invisible poltergeist attacks her. The wood floor may not be a chalkboard, but it's close enough.
Just My Luck (2006)
Why does the new Lindsay Lohan picture have such a poo fixation?....Could it be that director Donald Petrie is Freudian slipping on his s**tty material?
Down in the Valley (2006)
Though the film around it is often ungainly, an interesting idea lives at the heart of David Jacobson's Down in the Valley. When controlling parents alienate their children, they create an environmen...
Art School Confidential (2006)
Zwigoff too often picks up his putty knife when he should be running with scissors...doesn't quite add up to the sum of its parts, but some of the parts are pretty amusing all the same.
Jimmy Buffet may be known for his Hawaiian shirts, but there's something undeniably plaid about
Mission: Impossible III (2006)
A thrill ride, and a gripping one: plausibility-straining, predictable at times, but pulse-pounding all the same.
Detailed and graced with irreverent humor and fine performances, Mehta's film deals powerful blows to economic injustice and misogyny.
Akeelah and the Bee (2006)
Dramatically jerry-rigged in every possible way.
Stick It (2006)
Too lazy to perfect its own routine...[but] a surprisingly appealing vacation, from sense to sensibility.
Color me surprised when Barry Sonnenfeld's family comedy turned out to be a palatable picture that doesn't rob Robin Williams of his dignity as a comic actor.
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