Latest Theatrical Reviews
Flash of Genius (2008)
Unfortunately, the film’s editing creates a confusing chronology and awkward pace, but it’s easy to see why producers saw a satisfying audience experience in Kearns’ moral crusade.
Save Me (2008)
A film that stands the best chance of winning the hearts and minds of those who now embrace the gay 'recovery' movement.
The Lucky Ones (2008)
The annoyance of its Screenwriting 101 script is hard to overcome, but
The Lucky Ones
just about works in spite of itself, as an actor’s showcase.
Incorporates Freudian psychodrama, twisted romance, and national satire while giving redemption the Heimlich maneuver.
Nights in Rodanthe (2008)
It’s too easy to hold the film’s at arm’s length and scoff at Sparks’ cynical repetition of psycho-romance clichés and meteorological metaphors.
What Happens in Vegas (2008)
Another predictable romantic comedy, one that insists that spending time locked into an unhappy marriage doesn't breed contempt, but sows love.
Hamlet 2 (2008)
It's Coogan's show, in a grotesquely overstated performance that makes sense for the character but isn't always easy to watch.
A clear-headed and comprehensible picture of American fiscal policy, but one that's not in the least boring.
In Search of a Midnight Kiss (2008)
The confluence of events allows the film to arrive somewhere that may not be original, but feels honest...at other times, the film seems to be chasing the same old indie dragon of quirky escapades that can be shot on the cheap.
A Man Named Pearl (2008)
One of those hidden treasures of the art house that it's your duty to seek out.
Fly Me to the Moon (2008)
Only the 3D process helps to dispel the impression that what you’re seeing lacks wit and is completely generic in terms of characters and 'humor.'
Maximum Risk (1996)
The energetic action isn't quite enough to overcome an undernourished story.
Man on Wire (2008)
Engrossing...the great irony of the story is its triumph of the visionary individual over authoritarian bureaucracy.
Bottle Shock (2008)
As for the inevitable fudging of fact, it doesn’t bend the true story to its breaking point—on balance,
is an entertaining tour of wine country.
Brideshead Revisited (2008)
No classic, but it does hold interest, in part by dealing honestly with the intriguing religious themes and in part for its fine cast.
My Winnipeg (2008)
Despite the film's incredible specificity as one man's take on one city, the wistful
achieves a powerful universality.
Step Brothers (2008)
The film's funniest moments come early...But the more outlandish the joke (a.k.a. little kids pick fights with the men), the less purchase McKay finds, as our investment in the film's reality checks out.
American Teen (2008)
More of a marketing sensation than a cinematic one...a documentary shouldn't feel this packaged.
Meet Dave (2008)
Eddie, it's time to start thinking big again.
Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008)
May not be the definitive doc for which Thompson's fans may be hoping, but it is a worthy contribution to the ongoing popular legend of a distinctive American personality.
The second half gets so worked up over itself that
becomes nearly unrecognizable as the movie we were all enjoying twenty minutes earlier.
Finding Amanda (2008)
Doesn't have a nuance in it, but it's pretty consistently amusing in its latter-day Woody Allen way. For most of the way, its morals are happily, believably wrong, but all bad things must come to an end.
Savage Grace (2008)
Disturbing in the extreme,
gives a guided history tour of a family as dysfunctional as they come.
The Edge of Heaven (2008)
Thomas Wolfe wrote, "You can't go home again," but the new film from Fatih Akin explores a number of ways one can.
The Love Guru (2008)
Hello, police? I'd like to report a mugging. Oh, it was horrible, horrible! Yes, I'm safe now. The mugging took place in a movie theatre, but I fear the mugger will strike again!
The Happening (2008)
It's engrossing one minute and stupefying the next, off and on, off and on, for ninety minutes.
The Promotion (2008)
skates out onto that thin ice of comedic subtlety. Like its characters, it's not terribly successful, but it's an admirable effort all the same.
When Did You Last See Your Father? (2008)
Tucker delivers a stroke of casting so perfect it might seem obvious: Oscar winner Jim Broadbent as the father and Colin Firth as the son.
Bigger, Stronger, Faster* (2008)
May be the most entertaining and provocative hybrid of personal essay and American social-satiric documentary since
Roger & Me
You Don't Mess with the Zohan (2008)
Methinks the kids to whom this superhero movie will most appeal won't be able to separate the stereotypes from the political wishful thinking.
The Children of Huang Shi (2008)
You'll forget this one ten paces from the theatre.
The Fall (2008)
Tarsem hasn't the Gilliamesque chops to make
amount to anything
than a monument to preposterous thinking.
Sex and the City (2008)
King whips up enough quips and emotional moments to treat the faithful to a sort of moviegoing spa.
The Strangers (2008)
If you put yourself through the wringer only once this year, you could do worse than
Before the Rains (2008)
A poor man's rehash of
A Passage to India
Le voyage du ballon rouge (The Flight of the Red Balloon) (2008)
All suggestion and no imposition, a subtle meditation on how we position ourselves in space and to what end.
Mio fratello è figlio unico (My Brother Is an Only Child) (2008)
The Italian dramedy My Brother Is an Only Child traces a boy's journey from a crumbling family home to something like the opposite. Beginning in 1962 with an adolescent passage in the 400 Blows vein,...
Body of War (2008)
Filmmaker Ellen Spiro and legendary TV journalist Phil Donahue join forces for Body of War, a portrait of wounded veteran and antiwar activist Tomas Young. One thread of the narrative follows Young's...
With an average age of 80, the Young@Heart chorus stays terrifically active. Under the direction of tenacious Bob Cilman, the two dozen singers tackle challenging songs that are mostly rock and punk....
88 Minutes (2008)
Another lamebrained variation on the noir standard D.O.A., 88 Minutes propels itself through a requisite excess of plot to keep viewers guessing from whence the stench of herring comes and, as they s...
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