Ledger slips into the purple suit as if it were an animal skin for a primal, archetypal dance...Nolan's richly realized adaptation of a modern American mythology fulfills our faith in the material and its interpreters. 

Ledger slips into the purple suit as if it were an animal skin for a primal, archetypal dance...Nolan's richly realized adaptation of a modern American mythology fulfills our faith in the material and its interpreters. 

Complete fluff, and proud of it...Once you adjust your senses, however, you're bound to submit to this vacation of a movie. 

Eddie, it's time to start thinking big again. 

May not be the definitive doc for which Thompson's fans may be hoping, but it is a worthy contribution to the ongoing popular legend of a distinctive American personality. 

The second half gets so worked up over itself that Hancock becomes nearly unrecognizable as the movie we were all enjoying twenty minutes earlier. 

Doesn't have a nuance in it, but it's pretty consistently amusing in its latter-day Woody Allen way. For most of the way, its morals are happily, believably wrong, but all bad things must come to an end. 

A Discovery Channel production about Antarctica that breaks the mold with Herzog's eccentric musings and auteur's eye. 

Disturbing in the extreme, Savage Grace gives a guided history tour of a family as dysfunctional as they come. 

As for Squires' outlandish behavior and Kingsley's theatrical performance, they're entertaining, but very hard to believe. The film lives more comfortably in the milieu of '90s youth culture... 

Thomas Wolfe wrote, "You can't go home again," but the new film from Fatih Akin explores a number of ways one can. 

Hello, police? I'd like to report a mugging. Oh, it was horrible, horrible! Yes, I'm safe now. The mugging took place in a movie theatre, but I fear the mugger will strike again! 

It's engrossing one minute and stupefying the next, off and on, off and on, for ninety minutes. 

The Promotion skates out onto that thin ice of comedic subtlety. Like its characters, it's not terribly successful, but it's an admirable effort all the same. 

Tucker delivers a stroke of casting so perfect it might seem obvious: Oscar winner Jim Broadbent as the father and Colin Firth as the son. 

May be the most entertaining and provocative hybrid of personal essay and American social-satiric documentary since Roger & Me. 

Methinks the kids to whom this superhero movie will most appeal won't be able to separate the stereotypes from the political wishful thinking. 

You'll forget this one ten paces from the theatre. 

Tarsem hasn't the Gilliamesque chops to make The Fall amount to anything more than a monument to preposterous thinking. 

King whips up enough quips and emotional moments to treat the faithful to a sort of moviegoing spa. 

If you put yourself through the wringer only once this year, you could do worse than The Strangers. 

A poor man's rehash of A Passage to India. 

All suggestion and no imposition, a subtle meditation on how we position ourselves in space and to what end. 

The Italian dramedy My Brother Is an Only Child traces a boy's journey from a crumbling family home to something like the opposite. Beginning in 1962 with an adolescent passage in the 400 Blows vein,... 

Filmmaker Ellen Spiro and legendary TV journalist Phil Donahue join forces for Body of War, a portrait of wounded veteran and antiwar activist Tomas Young. One thread of the narrative follows Young's... 

With an average age of 80, the Young@Heart chorus stays terrifically active. Under the direction of tenacious Bob Cilman, the two dozen singers tackle challenging songs that are mostly rock and punk.... 

Another lamebrained variation on the noir standard D.O.A., 88 Minutes propels itself through a requisite excess of plot to keep viewers guessing from whence the stench of herring comes and, as they s... 

Character actor Richard Jenkins finally steps to center stage in The Visitor, Tom McCarthy's follow-up to indie darling The Station Agent. While not lacking in comic observation, the new film has a t... 

Master of moody romance Wong Kar-Wai--the auteur behind In the Mood for Love--stumbles a bit with his first English-language picture, My Blueberry Nights. The usual components remain: pop music, slo-... 

The long-anticipated pairing of martial-arts stars Jackie Chan and Jet Li arrives under great scrutiny. On the one hand are the great expectations; on the other is healthy skepticism that Stuart Litt... 

The Judd Apatow juggernaut rolls on with Forgetting Sarah Marshall, which Apatow produces for writer-star Jason Segel. Like his onetime Freaks and Geeks co-star Seth Rogen, Segel is an unlikely star... 

Writer-director Gina Kim helms this corker about the delicacy of marital infertility and sympathetic infidelity. Vera Farmiga (The Departed) plays Sophie, a Caucasian housewife married into a Korean-... 

With Leatherheads, director-producer-star George Clooney clearly has in mind a "Golden Age of Movies" pastiche like The Hudsucker Proxy, made by his Oscar-winning buddies the Coen Brothers. But lacki... 

For something completely different (though also written and directed by men), there's Irina Palm, which casts Marianne Faithfull as a self-described "frump" who dresses like a housecleaner but discov... 

Noam Murro's Smart People,penned by first-time screenwriter Mark Poirierrevolves around a self-absorbed anti-hero. Despite having a son, a daughter, and an adopted brother in his life, De... 

Three women don head scarves and sunglasses, get in a convertible, and go on a road trip past big rigs and picturesque canyons. It may sound like Thelma and Louise from someone who can't count, but i... 

David Gordon Green helms Snow Angels, an upscale indie starring Sam Rockwell as a fractured soul trying to piece his life back together. Rockwell hounds his wife (Kate Beckinsale), who has dumped but... 

Don't do a double take if Jeff Nichols' Shotgun Stories puts you in mind of David Gordon Green. Green is a producer on the project, and DP Adam Stone helped to shoot three of Green's films. Writer-di... 

The standard-issue "indie bromance" Backseat develops a nice rapport between its leads, but feels more like four strung-together episodes a 1990s sitcom than a compelling reason for a film. Writer Jo... 

An improvisational poker-championship comedy in the vein of Christopher Guest's Best in Show sounds like a better idea than it is, but screenwriter Zak Penn (the X-Men films) does solid work in his s... 

Looking for something completely different? Why not try Bab'Aziz: The Prince Who Contemplated His Soul, a lyrical set of interconnected, spiritual-minded fables? Filmed in Tunisia and Iran, the story... 