Latest Home Video Reviews

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Drillbit Taylor (2008)

Wilson proves again that he's a quick-witted comedic treasure—he's the sort of actor who gets hired to make mediocre movies almost good by his sheer force of comic will.
Point Break (1991)

Consistently stylish, dumb, and entertaining.
In the Line of Fire (1993)

You have a rendezvous with Dirty Harry's 62-year-old ass! And if you don't know what that means, you'd better figure it out!
Gangs of New York (2002)

The impact is all in the broad strokes of Scorsese's design: the corresponding coming-of-age stories of three confused and violent adolescents: Amsterdam Vallon, New York City, and America.
Batman: Gotham Knight (2008)

After the wayward kids' stuff of [Kids' WB's] The Batman, Batman: Gotham Knight's adult tone and visual wonderment are like (Bat-)manna from heaven.
Vantage Point (2008)

Asks us to believe the terrorists would, after slaughtering countless people, risk their entire plan—and their very lives—on...well, I won't say. But from my vantage point, it was ridiculous.
Natural Born Killers (1994)

Profane, hallucinogenic, and wickedly satirical, Oliver Stone's Natural Born Killers mainlined a message from hell (a.k.a. modern America, as seen by Stone) into mall theatres and multiplexes.
Persepolis (2007)

Persepolis is so satisfying because it works on a few complimentary levels: as a coming-of-age story tracking innocence to experience, as an accounting of revolutionary and feminist struggles, and as an artful visual experience in cartoon form.
The Spiderwick Chronicles (2008)

For a movie about magical beasts, The Spiderwick Chronicles does an awfully good job of pegging childhood emotional realities, particularly in a context of divorce.
The Boondocks—The Complete Second Season (2008)

Like his wee alter ego, ten-year-old Huey Freeman, McGruder sees himself as hopefully out of step with society—radical, in fact—self-confident, and determined to effect change by any means necessary.
Men In Black (1997)

Among the best of the summer movie blockbusters, Men in Black comes on like gangbusters and never lets up.
Fool's Gold (2008)

Harmless but seriously wit-deficient.
Batman (1966)

The delirious idiosyncracies of the '60s Batman are all on display...a pleasant-enough romp that's just a little too-distracted with its new toys.
Jumper (2008)

If Jumper too often feels like a special-effects demo reel in search of a story, at least the eye candy is pretty darn sweet.
Control (2007)

By crafting a serious-minded character study, the filmmakers bring us closer to understanding the enigmatic artist's inspiration and desperation: a life that spun out of control.
Joy Division (2007)

The ad copy for Grant Gee's 2007 Joy Division calls it "the definitive documentary on Joy Division," and given the roster of participants, it seems a reasonable claim.
There Will Be Blood (2007)

Anderson's most mature and ambitious film yet...[though his] growth as a filmmaker remains hindered by an obsession with effect and a disinterest in depth.
Patton (1970)

A bio-epic on the order of Lawrence of Arabia, Patton is a smart, fully realized historical film.
The Sand Pebbles (1966)

A fine old-school picture...elevated further by its progressive themes.
The Longest Day (1962)

Though the film makes a few egregious historical changes for dramatic effect, The Longest Day pretty much lives and dies by its scale.
A Bridge Too Far (1977)

Attenborough consistently reinforces the horrors of war by depicting not only the disasterous military engagements and their toll on heroes, but also the witless political decisions that led to needless, excessive loss of life.
Battle of Britain (1969)

Succeeds in giving the general impression of a pivotal historical moment, and excels in crafting some of the most astonishing aerial-warfare sequences ever put on film.
Cassandra's Dream (2008)

Two years after Match Point, Allen delivers another London-set murder melodrama, with diminishing returns.
Company (2008)

Harold Prince's original staging remains the gold standard, but John Doyle offers an intriguing alternative on Sondheim's ode to commitment anxiety.
Rescue Me—The Complete Fourth Season (2008)

The visions, the menagerie of women and the horrid behavior of Tommy Gavin suggest a lewd FDNY variation on 8 1/2, and one that's still going plenty strong after four thirteen-episode seasons.
Signs (2002)

An anti-Independence Day, a cousin of Close Encounters, but most of all, a well-modulated, dread-laden, faith-based mystery.
The Three Stooges Collection: Volume Two (1937-1939) (1937)

Every time you see a comedic eye-gouging or an errant board swinging around and catching someone in the face, it's a passed torch that was held for decades by the Three Stooges.
The Recruit (2003)

Watchable only for its star power and scarce caffeine kicks...awfully predictable.
Cloverfield (2008)

The mysteriously titled project might just as well have been called "9/11: The Thrill Ride," so thoroughly does it trade on our emotions of that disaster.
Commando (1985)

An audacious comic-book movie on steroids...cinematic junk food, but even a dieter deserves to cheat once in a while.
Predator (1987)

A dumber version of the Alien franchise, but this initial picture works anyway, as an atmospheric exercise in pure, primal action with a science-fiction-y twist.
Bee Movie (2008)

Seinfeld's pleasingly idiosyncratic comic voice comes through in the haphazard, slaphappy storyline.
Face/Off (1997)

This is your action movie on drugs—any questions?
Anger Management (2003)

Full-blown 'Jack'—his face a spectacular special effect of full-blown energy—remains an irresistible act.
Twister (1996)

It may not be fashionable to like Twister, but darn if it isn't an entertaining electro-shock of action cinema.
Get Smart (1995)

The time is right to reappraise the revamp: yes, it's a shadow of the original series, but it has its high points.
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Though Adamson lacks Lewis' storytelling confidence...The Lion, The Witch and the Wardrobe still comes across as a quirkily diverting children's entertainment.
The Young Indiana Jones Chronicles (a.k.a. The Adventures of Young Indiana Jones) (1992)

Approached with an open mind, The Young Indiana Jones Chronicles offers an intriguing angle on one of the greatest characters in modern cinema.
Indiana Jones and the Last Crusade (1989)

The eventual arrival of towering screen presence Sean Connery as Dr. Henry Jones, Sr. alongside Harrison Ford as Dr. Henry Jones, Jr. allows for what may be adventure cinema's most potent pairing.
Indiana Jones and the Temple of Doom (1984)

If it was a sign of the times for Indiana Jones to take on more of a comic-book aspect, the film's accomodation of darker themes and explicit imagery came as something of a shock to many.

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