It's splitting Q into two parts. Bruce and Lloyd make up one gadget guy, in reality. They're just two different parts of one person... 

It's splitting Q into two parts. Bruce and Lloyd make up one gadget guy, in reality. They're just two different parts of one person... 

All the actors stayed in one house together, with some of the key crew members and Joe, the director...I decided not to--partly because I'd been to drama school, and I couldn't be bothered with it...I've lived in a madhouse. 

The big myth—I’ve been asked this for fifteen years. And we’ll give it the same answer fifteen years from now. We never think of who our audience is. We always just made the movies we want to see. 

I’ve never been much of a car guy myself. And I’ve been known to crash a few. I think I crashed the Batmobile when we were filming...the cars, the costumes, the set dressing—that really helps us, as actors, to get into character. 

Probably the riskiest thing I did was being pulled behind a moving SUV down train tracks. Um, that was a little scary. 

I watched anything I could get my hands on that Lily Tomlin was in. I'd watch a lot of Meryl Streep movies. Women who have spectacular timing. 

I thought it would be interesting to see how he becomes Max. How they met. I know there was one story of how they met, obviously, in the pilot, in 1965, but I thought, 'Okay, what if we take a little license there and come up with our own...' 

Being allowed to grow up feeling you're not being watched, not being tracked and able to do stupid things and screw up, being able to make mistakes, I think, was the key. Being allowed to screw up is wonderful... 

People might give us a chance who wouldn't normally come to a Marvel-type film. 

These men are developing--I mean the idea that men say, 'I love this guy'--they always say that. 'He's my brother.' 'I will die for him.' 'It was incredibly intimate. It was the most profound relationship of my life.' 

What caught me off guard I think was not making the connection between how much money we had and what it would translate to. When you say we have a big movie, we have a big budget script and a small-budget, um, budget. 

We seem to be at the limit. I mean, maybe we'd have to switch drugs. Go harder. I don't know...I think we have to go to heaven. 'Harold and Kumar go to Heaven.' 

[Taylor:] Often you can use a director who doesn't speak English just as a mirror for your own instincts. Even though he couldn't tell me exactly what was wrong, it was really my job to...do what I thought was best... 

[Emmerich:] It's a little bit like a time travel...these hunter-gatherer people meet the first farmers meet the high culture. 

Besides editing everyone's favorite David Letterman film (Cabin Boy...see it with someone you love), Jon Poll is known for his fruitful collaboration with Jay Roach (the Meet the... and Austin Powers films). Poll also contributed to the editing of Peter Weir's Master and Commander: The Far Side of the World, and executive produced The 40 Year Old V... 

After his debut feature The Delta, writer-director Ira Sachs took the Grand Jury Prize at the 2005 Sundance Film Festival for his sophomore feature Forty Shades of Blue, starring Rip Torn and Dina Korzun. His latest, Married Life, stars Chris Cooper, Patricia Clarkson, Pierce Brosnan, and Rachel McAdams. Despite his suffering from bronchitis, Sachs... 

Olivia Hussey: 'Once I started crying I couldn't stop...And when I stood up, everyone was just standing there in sheer--just silence. Franco said, "Cut"...and he put his arms around me and said, "You're gonna love Rome."' 

Michel Gondry: 'Keep your money for yourself. Be creative and meet friends. And have a better life.' 

Tim Roth: 'Most of what you're trying to do as an actor--I'd say ninety percent--is convince the audience that the dialogue is better than it is. So...you're running a con job on the audience.' 

Noah Baumbach: 'Margot doesn't come there to wreck anything. She comes there because she loves her sister and wants to support her. She just can't help herself once she sees what the situation is.' 

Jennifer Jason Leigh: 'One of the big ones was Al Pacino in Dog Day Afternoon...it made a huge impression on me.' 

Ang Lee & Tang Wei: "[Lee:] They say, 'No pain, no gain.'...Sometimes I'll have a sleepless night, and in the morning I'll start to cry and I feel like I was in Mr. Yee's torture chamber." 

Emile Hirsch's films include The Dangerous Lives of Altar Boys, The Emperor's Club, The Mudge Boy, The Girl Next Door, Imaginary Heroes, Lords of Dogtown, and Alpha Dog. Writer-director Sean Penn chose Hirsch to play Chris McCandless in the screen adaptation of Jon Krakauer's Into the Wild, which eventually led the young actor to face the press at... 

David Cronenberg & Viggo Mortensen: [Mortensen:] That's a puzzle...if you look at Schopenhauer, he talks about compassion. And why does someone, when it does him no good whatsoever, go and assist someone? 

Dave Goelz has performed with the Muppets for over thirty years, on shows like The Muppet Show and Fraggle Rock and in films such as The Muppet Movie and The Muppet Christmas Carol. His cast of characters includes Gonzo the Great, Boober, Bunsen Honeydew, Zoot, Philo, Beauregard and many others. He was also Fizzgig and one of the Skeksis in The Dar... 

As an actress, Julie Delpy's credits include Europa, Europa, White, Broken Flowers, The Hoax, Jean-Luc Godard's King Lear and Richard Linklater's Before Sunrise, Before Sunset, and Waking Life. Now she's the star, writer, director, editor, and composer of 2 Days in Paris. We chatted at San Francisco's Four Seasons Hotel.
Groucho: Alright. This i... 

Environmental short-film collaborations with Leonardo DiCaprio led Leila Conners Petersen and Nadia Conners to co-write and co-direct a feature-length examination of Earth's environmental crisis: The 11th Hour. During their press stop at San Francisco's Ritz-Carlton Hotel, the filmmakers told me about their approach to overwhelming material.
Gro... 

Jonah Hill, Michael Cera, & Christopher Mintz-Plasse: [Hill:] 'The only reaction we've had with Lindsay Lohan was that impression we were doing of the newspaper...I was doing an impression of her s#$tting her pants in jail.' 

Danny Boyle: 'Cillian at the end of the film, when he touches the sun...it was like 40 feet high and like 60 feet wide of lamps...it was like a U2 concert.' 

Laurent Tirard: 'If you were an actor, you weren't allowed to be buried in a cemetery. You had to die in a ditch...what happened when Molière died was that the church refused to bury him. But because the king liked him very much, he found a way.' 

Steve Buscemi: 'I have been asked to do Letterman. And the first time, I could not get past the pre-interview, you know, when the producers ask you for four stories...I could only come up with three.' 

Tea Leoni & John Dahl: [Leoni:] 'So then, of course, the second I stick the knife in the watermelon, I almost vomited. It was just disgusting.' 

Michael Winterbottom: 'I think, um, someone staged it. But it wasn't us...he did say all this on camera in front of the biggest possible audience you could have...maybe he could have found a quieter moment.' 

Kasi Lemmons: 'I saw [Hughes] get up like "I can't, I can't watch this." It's either too close or it's bringing back some old emotions. But he would walk into the DJ booth, and you could tell he just felt nostalgic for it.' 

Frank Oz: 'There are actors I've worked with who hate my guts. Uh, three. As a matter of fact. One who's passed away, sadly: Brando. The other two are Cher and Wilford Brimley.' 

Eli Roth: 'Let's do that psychology. Let's see these guys in their home lives. And how does the bidding work? And what happens when they get there? Let's go through the minutiae.' 

Writer-director Francis Veber wrote the screenplay for La Cage Aux Folles, and directed such films as The Dinner Game and The Closet. His latest is The Valet—we discussed the film, and his august career, at San Francisco's Ritz-Carlton Hotel.
Groucho:Well, people always talk about how your films are distinctively French, and I won't disagr... 

Mike White: 'It's the blend of comedy and pathos or protagonists who can be both sympathetic and then transgressive and have a complicated relationship with the audience.' 

Heather Graham: 'I think it's hard to have a good, healthy image about yourself, sexually...I'd love to see more things out there that are empowering to women.' 

Ioan Gruffudd: 'You can justify anything in times of war. And I think we see that happening today certainly.' 