Kathy Bates

Seinfeld's pleasingly idiosyncratic comic voice comes through in the haphazard, slaphappy storyline.

Revolutionary Road’s existential dread of unspoken feelings bubbling to the surface perhaps better resembles Tennessee Williams, a towering explorer of authenticity and self-delusion.

More of a mess than the pleasant surprise one might have hoped.

Doesn’t so much get anything wrong; it just fails to go oh so right.

There's an innocence to The Waterboy that makes the picture part slapstick and part fairy tale...The only problem with letting kids see this Adam Sandler movie? They might want to see another one.

Now, don't get me wrong. Valentine's Day is bad. But it's difficult to hate a Garry Marshall movie.

McCarthy delivers another all-in performance, but so much so as to be more sad than funny much of the time.