Jim Sturgess

It's a dicey proposition to reverse-engineer a story, and Across the Universe shows the strain...[nonetheless] a very impressive music-video anthology.

Take it from this loss prevention specialist: don't play 21.

One Day's annoying artificiality comes with no compensatory effervescence, a requirement of a romantic picture.

The Wachowskis and Tykwer are determined to make you understand eternity, and in that and only that, they succeed: by the time you get to the film’s endless series of endings, you’ll feel as if you’ve lived lifetimes.