Jeffrey Tambor

Pacino at the top of his game...[but] the film's lack of faith in its audience is glaringly apparent.

The line from special effects whiz Ray Harryhausen to director Guillermo del Toro has never been so clearly visible...

The coup de grace comes in the form of Ginormica, a clever metaphor of figurative and literal female empowerment...Plus there’s lots of explosions.

Succeeds in being a daring satire by positing Mark as a Messiah...It’s a shame that the comedy tends to be repetitive, and more funny clever than funny ha ha.

McCarthy does a fine job of juggling the domestic mystery, situational comedy, and inevitable drama, and his terrific cast is well-suited to the deadpan ethical satire.

Less like a movie and more like a contractual obligation.

Tales of the venal, the selfish, and the desperate, lurking--when not preening--in the halls of power.