Jeffrey Dean Morgan

Haley: 'Every punch, every kick is a lash-out against his mom and the horrible upbringing, the neglect, the beatings that tweaked him...he needed to go out and come up with this black-and-white sense of justice just to survive.'

Butler, though puportedly attractive, gives a chipmunk-chipper performance that can only be described as supremely annoying.

Any film that depicts a 'superheroic' rapist-brute as a self-styled parody of America's 'true face' can hardly be accused of thematic squeamishness, and any film that sends readers back to the comic for Moore (and Gibbons) has served the public interest.

Any film that depicts a 'superheroic' rapist-brute as a self-styled parody of America's 'true face' can hardly be accused of thematic squeamishness, and any film that sends readers back to the comic for Moore (and Gibbons) has served the public interest.

On balance...like Teichberg—takes after its immigrant American father, evincing a quiet humility in offering its rambling 'little perspective' of an emblematic happening that was almost everything it was cracked up to be.

Urban legends and archetypal mythology go out for a horror spin...Though the series' mythology is distinctly dark, there's also plenty of fun to be had...

This comic-book knockoff of The A-Team...is a lot easier to enjoy than Fox's sanctioned remake of The A-Team. Perhaps that's because Sylvain White's The Losers is self-aware of its schlock value...

Jake’s ever-present video camera notes the sign 'Woodstock 3 mi.'—but it should read 'Shameless Contrivances 3 mi.'...make tracks, not love.

A successful nail biter and arm rest gripper. Good at building tension, built for maximum suspense, and it's very well filmed and composited.