Steve Buscemi

Steve Buscemi: 'I have been asked to do Letterman. And the first time, I could not get past the pre-interview, you know, when the producers ask you for four stories...I could only come up with three.'

This bouncy Western musical-comedy adventure is long enough on charm, but wisely short and sweet at 76 minutes. It's also totally bereft of innovation...

Dimwitted, action-flailing mediocrity....Michael Bay...[said,] "I always say, '**** the critics'"...I'll tell you what I always say: "Michael Bay is a tool."

Seems less a joyous return to innocence and more like the nightmares we have while contemplating the real-estate market.

Competence and a core faithfulness are enough to communicate the simple charms of E.B. White's perennial children's novel.

Charms in large part due to the performances of the two stars.

I sure hope Sandler's next movie is about learning the pain of Asian folks...that'd be hilarious!

Remains the gold standard for the TV miniseries format...stands among the best Western films ever made.

The Coen Brothers have always loved to go far, a tactic they don't forgo in Fargo.

From its jazzy main titles to its gentle fadeout, Monsters, Inc. has something that money can't buy. It's likeable.

Conspicuously pointless...an underachieving comedy of awkwardness.

It's the whole proud, embarrassing sociopolitical, cultural heap of American history—and the American Century in particular—in two fleet, funny hours.

May be the most thoughtful and, in social terms, realistic film ever made about the college experience.

Though it’s hit and miss for audiences trying to forget Gere’s screen history, Moverman ably serves a slice of homeless life, dramatizing a problem we’ve contended with further back than we can remember.

Fairly one-note in its humor, and not as lively as you would assume it would be [but with] all-around strong voice work and a predictably sweet message about sharing the love...it’s all, as they say, good enough for government work.

Tales of the venal, the selfish, and the desperate, lurking--when not preening--in the halls of power.

This is the kind of lackluster animated movie at which you’ll lose count of how many times the characters randomly break into dance--and that’s in addition to the...not one but two dance parties incorporated into the plot.