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Maggie Smith
Divine Secrets of the Ya-Ya Sisterhood (2002)
Ladies in Lavender (2005)
Dance allows Dench to overact her lovestruck nervousness...By the time he stages a hay-baling montage, you'll have had enough of this close-but-no-cigar misfire.
Keeping Mum (2006)
Succeed[s] in recreating the simple pleasures of the old Ealing comedies, which let talented character actors shine.
Othello (1965)
Whether taken as a cultural relic or the definitive screen treatment,
Othello
demands to be seen for Olivier's bravura, high-wire performance.
Becoming Jane (2007)
Clash of the Titans (1981)
Though Harryhausen's glory days were past him, he and his team do provide some magical moments.
Nanny McPhee Returns (2010)
One is always in good hands with Thompson, even in this kiddie franchise...for the kids, there’s not only the sobering reminder that they're works in progress but also lots of...fairy-tale magic, with a touch of
Babe
’s farm charm.
Gnomeo & Juliet (2011)
And thus the old joke has finally been fulfilled of someone pitching
Romeo and Juliet
to Hollywood and hearing in response, 'Couldn't they live at the end? I mean, it's kind of a downer.'
Harry Potter and the Deathly Hallows - Part 2 (2011)
Thematically, like any good myth, the Harry Potter story comes full circle, with a heroic homecoming and the promise of more adventures, if only in our imaginations.
The Best Exotic Marigold Hotel (2012)
'Eat Gray Love'...the whole enterprise [is] too platitudinous, but with powerhouse actors like Dench, Nighy and Wilkinson, even a critic can agree it's better to be plucky than a sour stick-in-the-mud.
Quartet (2012)
Doesn't avoid all of the traps of the genre, but Hoffman does show good taste, particularly in casting.
My Old Lady (2014)
How relevant or relatable viewers will find all this is questionable, but fans of the actors will take true pleasure in their tart verbal sparring...
The Second Best Exotic Marigold Hotel (2015)
Shows little strain in maintaining its cute factor, thanks to the drily winning personalities of the likes of Smith, Dench, Nighy, and the comic ebullience of Patel.
The Lady in the Van (2015)
Though at times precious, Bennett’s sly script masks that deeply sentimental core with comic edge and a writer’s willful, mercenary remove.
Downton Abbey (2019)
Forgive me for suggesting that Conservative peer Fellowes—or, as he’s sometimes known, Julian Alexander Kitchener-Fellowes, Baron Fellowes of West Stafford DL—might consider
Downton
the cake he’s letting us eat.
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