Jon Heder

Napoleon Dynamite may not even be friggin' sweet, but it does have skills.

Seems less a joyous return to innocence and more like the nightmares we have while contemplating the real-estate market.

It's too bad that Phillips fumbles for comic gimmickry when he has the makings of a rich and timely satire on poison-peddling motivational personalities.

The script's failure leaves a heavy burden on the cast, and how well they compensate is both a testament to their talent and a waste of it.

What's black and white and brings in the green?