Katherine Heigl

Apatow's part in the rehab of the mainstream comedy relies on the underlying yearnings of archetypal social strivers.

I tell ya, I haven't heard this much talk about ball-dropping since the junior high locker room.

Like many rodents, the plot runs in circles, covering over and over again the same ground...[Plus,] Psy, who parties like it's 2012.

To revisit King of the Hill—or to discover it—is to realize how seldom American cinema deems it worthwhile to tell a child's story with anything approaching serious psychological intent.