Alfonso Cuaron

A sexually charged, funny romp that has it both ways, devolving older audiences into sex-crazed partiers and pausing to remind them of political undercurrents and personal cost.

Cuarón filigrees his film with brilliantly outsized projections of Harry's fears and underlying realities.

In Cuarón's highly-skilled hands, Children of Men continuously threatens to develop into something more fascinating than it is.

In the generally deft new anthology film Paris je t'aime, short films are like streetcars.

Moves us closer to an art-house/blockbuster hybrid paradigm that could be Hollywood’s salvation...a survivalist adventure that captures the primal terror of present death while exploring the will or won't to live.