Topher Grace

Has a pleasant whiff of Capra about it, with its accessible story, good humor, and insinuating themes.

Go-for-broke pop entertainment...more action, more humor, and more nastiness than either previous installment, often in loopy combinations.

Now, don't get me wrong. Valentine's Day is bad. But it's difficult to hate a Garry Marshall movie.

Though the jokes are strictly standard setup-punchline stuff, the cast brings a freshness to the material.

At times pokes fun at the genre's cliché in amusingly productive ways...More often than not, though, this conspiracy isn't the real deal, but rather an elaborate distraction.

Though the [film]...cannot pretend to be free of its own leanings, Vanderbilt allows a reading of Mapes’ tragic errors amidst its melancholy diagnosing of TV-news’ slow, painful death march from the public trust into modern corporate product.

Depicts the teenage slacker ethic of avoiding responsibility whenever possible and clinging to youthful good times while they last. The show did the same, taking eight years (and 200 episodes) to depict [three].

Can be overtly funny in its absurdity. For the most part, however, BlacKkKlansman isn’t a comedy at all, but an earnest, vintage Spike Lee joint recounting history and projecting it onto our present.