Kristen Stewart

The heart of Adventureland lies in the emotional microcosm of the amusement park, a place that delivers its share of laughs and lust but turns out to be not all fun and games.

Picturesque photography, amped-up action, borrowed poetry, and age-old romance have The Twilight Saga on its surest footing yet—that is, until the youngsters grow up and realize True Blood tells the same story so much better.

This pretty period-pictorial companion piece to the novel fatally misses out on the brain-firing raw buzz that Kerouac felt and passed on to his readers...

Heavenly shades of night are falling: it's Twilight time...[for a series which] has always been borderline comical in its moments of greatest sincerity...

Still still hums with humanity in the person of Moore, whose towering performance shows a staggering technical proficiency while never losing a whit of emotional resonance.

Assayas implies that what transpires between the characters of Clouds of Sils Maria, between artists and art, and between art and audiences contains its own beautiful mystery that's nourishing, maddening, and essential.

At times pokes fun at the genre's cliché in amusingly productive ways...More often than not, though, this conspiracy isn't the real deal, but rather an elaborate distraction.

Too closely resembles the narcotic world it depicts. Without ever doing anything conspicuously wrong, Equals plays like one big miscalculation...

Reichardt in no way pushes her material, instead giving the viewer the space to live in this space with the characters, observe them and listen to them, and then draw one’s own conclusions about thematic import.

A meditation about our own ephemerality on this supposedly corporeal plane. In the end, the truly inescapable horrors are, sure, okay, death, but also living with one’s own mind and the uncertainties of human existence.