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Halle Berry
Monster's Ball (2001)
Bulworth (1998)
Die Another Day (2002)
For most of
Die Another Day
's incorrigible 132 minutes, I had a bloody good time.
X2 (X-Men 2) (2003)
Runs hot and cold, but mostly satisfies with its "upgraded" science-fiction razzle-dazzle.
Gothika (2003)
Catwoman (2004)
Robots (2005)
I'm hard-pressed not to recommend
Robots
as an energetic family-movie distraction...[but] plotting is...mechanical.
X-Men: The Last Stand (2006)
A full-fledged mutant jamboree, but one that blunts thematic and character development in favor of narrative expediency.
Perfect Stranger (2007)
By the time the big finish rolls around, you'll be too jaded-too worn-down by the endless, pointless red herrings--to muster an interest in whodunnit.
New Year's Eve (2011)
I tell ya, I haven't heard this much talk about ball-dropping since the junior high locker room.
Cloud Atlas (2012)
The Wachowskis and Tykwer are determined to make you understand eternity, and in that and only that, they succeed: by the time you get to the film’s endless series of endings, you’ll feel as if you’ve lived lifetimes.
X-Men: Days of Future Past (2014)
What makes [it] more than just a thrilling science-fiction actioner is the past-present poignancy allowed by time travel and astral projection, indulging everyone's fantasy of telling a younger self what he or she needs to hear.
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