Danny Huston

A pastiche of Chinatown and the deeply sarcastic ensemble satires of Robert Altman...Cooper's English-mangling version of George W. is a certified hoot

A bit staid in its thriller mechanics...[but] engaging in its drama, amusing in its fragments of bone-dry wit, and suspenseful in its dual mystery.

Though the holes were rather small, I had to count them all. Now we know how many holes it takes to fill The Number 23.

The epic sweep supports thoughtful reflection on the evolution of a fragile early republic...and the fragile ego of the man crucial to its existence.

As expertly headlined by Mel Gibson...Edge of Darkness makes a virtue of its fatalism, while ace mainstream director Martin Campbell compensates well for the script's shortcomings in the credibility department. 

Reenactment cinema...On balance, Hitchcock is about as entertaining and as trustworthy as a tabloid.

For all its apocalyptic fate-of-the-world theatrics, this...[adaptation of] the 2011 graphic novel Flashpoint by Geoff Johns and Andy Kubert...has an emotional core to give purpose to its crazy amounts of mayhem.

A sturdy origin story, this education of Miss Diana Prince, establishing her as a compassionate badass who consistently proves her bravery, strength, and commitment to justice.

Labors a bit to create drama from what’s essentially a gentle, wistful story of two artists together eking out a last hurrah, but there’s a refreshing warmth to a family-friendly show business tale, one not about backbiting but about love...