Edward Norton

Burger winningly combines relatively rare elements--a turn-of-the-century setting, an assured star turn by Edward Norton, and a deft Philip Glass score--to pull off a tricked-out romantic thriller.

Like a long-term relationship, The Painted Veil is well-intentioned and not particularly sexy, but understands duties of forgiveness, sacrifice, and commitment.

The Incredible Hulk gets 'er done, but while  "Hulk smash!" is essential, it's also undeniably uninteresting when handed over to a computer.

An unfolding mystery in which truth is elusive, and twists are the order of the day...gives Norton a career-making opportunity to strut his stuff.

Relentlessly dour, filled with unsympathetic characters, and made out of cardboard melodrama. It's the last of those sins that is unforgivable.

If didactic and overwrought at times, it's also powerful and persuasive.

One of the seminal films of the 1990s...just as darkly funny, epic, and psychically wrenching as ever.

Moonrise Kingdom’s heartfelt search and rescue of a feel-good result provides a perfect, even musical counterpoint to its regimented summer camp.

Just remember, kids, you’re not paranoid if they’re really out to get you…or your movie dollars.

The crackpot Birdman on some level tells a relatable story of one person's attempt to get, for once, something right, while functioning as a useful cultural critique of the disconcerting inextricability of commerce from art on stages and screens.

Chicken Poop for the Soul...