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Liev Schreiber
The Sum of All Fears (2002)
Though this political adventure requires substantial suspension of disbelief, the witty script and mature approach keep the film on track.
The Manchurian Candidate (2004)
An "A" for effort...Still, the frayed plot strands of the 2004
Manchurian Candidate
make it a lame duck to Frankenheimer's first-term thriller.
Everything is Illuminated (2005)
The Omen (2006)
If you've never seen
The Omen
, the technically well-made remake is an effective chiller a cut above today's standard, but if you have, there's no reason to watch this rote replay.
The Painted Veil (2006)
Like a long-term relationship,
The Painted Veil
is well-intentioned and not particularly sexy, but understands duties of forgiveness, sacrifice, and commitment.
Defiance (2008)
Skilled hiding isn’t very exciting, so for the sake of the audience, Zwick carefully incorporates some hyped-up action standoffs, the last being an unfortunately laughable stretch of credibility.
X-Men Origins: Wolverine (2009)
Repo Men (2010)
Perfectly positioned to take advantage of the health care debate. Unfortunately, the satire doesn’t get any more complex than 'What if the mortgage crisis were over livers instead of houses?'
Salt (2010)
Momentarily exciting but utter nonsense, a Burmese Tiger Pit built over a gaping plot hole.
Every Day (2011)
There's something oddly remote about
Every Day
, which plays like a double-wide version of a perfectly acceptable Showtime pilot.
Lee Daniels' The Butler (2013)
Despite admirable work from Whitaker and Winfrey,
Lee Daniels' The Butler
is nearly crushed by its own symbolic weight and its contrivance of a central character arc from keeping one's head down to learning to stand up.
Fading Gigolo (2014)
At times thuddingly earnest...at times, jazzily, goofily endearing...Turturro's romanticism keeps undercutting the humor before it has a chance to get satisfyingly irreverent. Call it comoedia interruptus.
Pawn Sacrifice (2015)
Maguire isn’t obvious casting, but he convincingly owns the role...The actor pairs an oft-fevered, disheveled aspect with the fierce impatience and unwillingness to suffer fools that attend genius.
Spotlight (2015)
Smart and stinging,
Spotlight
excels not only in depicting the stonewalling around the scandal but also the double-talk conversations from within and without the Globe that don’t say—but don’t not say—'Don’t go there
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