Eugene Levy

[Guest:] 'I could tell, her head was exploding. And I said, "What's going on?" She said, "Everyone wants a wig."'

You'll empathize with Plowright's appropriation from Dorothy Parker: 'What fresh hell is this?'

Okay, everybody, back to your shopping--there's nothing to see here.

Are Guest and Levy scared of biting the hand that feeds or simply out of touch? In either case, the answer can't be good.

On balance...like Teichberg—takes after its immigrant American father, evincing a quiet humility in offering its rambling 'little perspective' of an emblematic happening that was almost everything it was cracked up to be.

Predictability is the fatal flaw of any American sequel, and while this one comes closest in tone to the original film, that's a decidedly double-edged sword.

The strengths of these films are not so much laughs as sincerity and heart.