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Christopher Nolan
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Christopher Nolan & Emma Thomas—
The Dark Knight Rises
,
Batman Begins
—7/8/12 & 5/3/05
[Nolan:] These are larger-than-life characters, and I very much enjoyed tapping into the sort of operatic sensibility of that...naturally from that you’re aiming for a sort of mythic status.
Batman Begins (2005)
The ne plus ultra of comic-book films...an appropriately tough movie, busy but efficient, rich and thoughtful, and ornamented with visual appeal and exciting action.
The Prestige (2006)
Nolan's supreme confidence, narrative skill, and taste for complexity make for unusually rich popular entertainment. Where was
The Prestige
this summer when we needed it most?
The Dark Knight (2008)
Ledger slips into the purple suit as if it were an animal skin for a primal, archetypal dance...Nolan's richly realized adaptation of a modern American mythology fulfills our faith in the material and its interpreters.
Inception (2010)
The simplest way to sum up the greatness of
Inception
is to identify it as a new classic of science-fiction cinema (and, for that matter, the heist genre).
Memento (2001)
Nolan built a better mousetrap of a neo-noir, using the tricky gimmick of a complex, purposefully disorienting narrative.
The Dark Knight Rises (2012)
The Nolans consider the issues of the day...explore the role of legendary heroes (from Robin Hood to Batman and Robin) in galvanizing the public, and labor mightily to ensure that how their Batman ends dovetails with 2005’s
Batman Begins
.
Interstellar (2014)
Love is what's really between the stars, y'all.
Dunkirk (2017)
Rigorously staged and artfully photographed...Christopher Nolan applies his trademark ingenuity and clockwork precision to an otherwise straightforward story.
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