Dianne Wiest

A sincere examination of the moment, on the cusp of adulthood, when children must decide whether to get out of the only life they've known or honor it by staying home.

With its cool cast and classic kiss-off ending, The Lost Boys will forever be a cultural touchstone of '80s cinema.

The film’s impeccable emotional truth and delicate touches of black humor owe in equal part to screenwriter, director and stars.

If the mere mention of the blue-footed booby sends you into paroxysms, The Big Year is the film for you.

Currish...the film's niche audience is indiscriminate aging dog lovers; people lovers should look elsewhere.    

[A] ridiculously entertaining nostalgia exercise...Radio Days emerged from a highly fertile period for [Woody] Allen, and the film bubbles with creativity and Allen hallmarks.