Rufus Sewell

Bypasses the mythic tone of Richard Wagner's opera...without forsaking storybook romance. The inoffensive results get the job done, but sadly fail to excite.

Burger winningly combines relatively rare elements--a turn-of-the-century setting, an assured star turn by Edward Norton, and a deft Philip Glass score--to pull off a tricked-out romantic thriller.

Proyas assembles his inspirations into a unique amalgam with the power of myth to tap the fears and desires of our collective unconscious.

Venice is pretty alright, but like its namesake (or, for that matter, like a kidney stone), The Tourist is just passing through.

The play widely regarded as the best piece of dramatic literature ever written...[in] the only unexpurgated big-screen version.