Oliver Stone

Alexander is unavoidably a problematic epic, but it has integrity and deserves an audience willing to engage in Stone's dialogue.

Despite what you may have heard, World Trade Center isn't entirely apolitical, just understated in its commentary.

Profane, hallucinogenic, and wickedly satirical, Oliver Stone's Natural Born Killers mainlined a message from hell (a.k.a. modern America, as seen by Stone) into mall theatres and multiplexes.

A convincing blend of Shakespearean tragedy and Citizen Kane, Nixon paints the thirty-seventh President of the United States as a uniquely American tragic hero...

Equal parts comedy (inevitably only-in-America satire) and Oedipal psycho-drama...[from] the bard of American political cinema.

Stone isn't interested in merely bashing modern football: Any Given Sunday looks at the best and worst of the sport.

Though the carpe diem theme comes as something of a surprise, Wall Street: Money Never Sleeps makes its political points, with 'moral hazard'—the dark side of second chances—the film’s punny refrain.

Remains an intriguing blend of the political and the personal, with Stone turning his memories and his opinions about Vietnam into potent drama.

Oliver Stone, bless ’im, still believes in red-meat cinema.

Born on the Fourth of July for millennials...Stone effectively streamlines Snowden’s story for mass consumption, edification, and identification.