Owen Wilson

This innocent, sixties-style, big-budget comedy-romance-action-adventure romp is solid family entertainment that would make any self-respecting kid's jaw drop for a good two hours.

Admirably scruffy in its droll comic pursuits, but has all the storytelling aplomb of a Sunday-funnies section.

Seen with forgiving eyes, Wedding Crashers is trashy, raunchy fun.

Even if Cars isn't the studio's champion outing, Pixar continues to run on all cylinders.

What About Bob this ain't.

Wilson proves again that he's a quick-witted comedic treasure—he's the sort of actor who gets hired to make mediocre movies almost good by his sheer force of comic will.

Though flawed, Bottle Rocket is full of buried treasures and holds up to repeated viewings, as any cult film should. [Criterion Collection Blu-ray]

Even dog skeptics might be surprised how deftly Marley & Me adapts newspaper columnist John Grogan's book...into the equivalent of a kid's movie for adults.

In its natural habitat, Anaconda can be appreciated for its campy pleasures, not the least of which is Jon Voight in a delirious, balls-out performance as creepy Paraguayan snake poacher Paul Serone.

Musters only a few lackluster laughs...[but] has one trump card: it’s a kid-friendly, “PG” film that celebrates museums.

Though the film, by necessity, expands Dahl's original story and fuses it to the sensibility of Anderson, author and auteur share a common tone of twisted twee...

Director John Lasseter pushes the credo 'Story is king,' but the sequel to the 2006 hit Cars unwittingly abdicates the throne.

If the mere mention of the blue-footed booby sends you into paroxysms, The Big Year is the film for you.

Although Vaughn's riffing skills remain in fine form, as do Wilson's, the story makes every obvious and conventional choice.

Though the film nakedly seeks a wide audience through conventional plotting and characterization—and despite being (like most action movies) guy-centric—Shanghai Noon provides good, clean 'family' fun.

The plot is a sideshow to Inherent Vice's luxuriant atmosphere, cracked sense of humor, and idiosyncratic characterization.

A goofy gag machine that will raise smiles for some and make others just plain gag.

Gets the franchise back on track with a story that U-turns to the heart of the 2006 original.

Basically a less creative and less idiosyncratic Spy Kids produced by Jerry Bruckheimer (that might tell you something).