Groucho
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Jean-Louis Trintignant
The Passenger (a.k.a. Professione: reporter) (1975)
As usual, Antonioni's pace is langorous, but
The Passenger
is never less than compelling.
Three Colors Trilogy (2012)
Unsparing character studies, using the specific to illuminate the universal.
Amour (2012)
Haneke has hit upon the most accessible, most universally understood experiential vehicle to explore his career-defining obsession with nihilism, or he has made his most emotionally sensitive film yet, a true love story.
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