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Joel Edgerton
Joel Edgerton & Peter Hedges—
The Odd Life of Timothy Green
,
The Great Gatsby
—8/2/2012
[Edgerton:] Being an onscreen parent is definitely a responsibility because kids, where I come from—it really can spin their life out of control...
King Arthur (2004)
Kinky Boots (2006)
Rigged for your pleasure...everything is played up for schmaltz value or dopey laughs.
Animal Kingdom (2010)
A “human nature film,” a crime drama that observes cops and robbers in their natural habitat and studies their instinctual behaviors.
Warrior (2011)
Undaunted, O'Connor straightens his spine of melodrama and focuses on the task of building up the film's emotional muscle.
Zero Dark Thirty (2012)
By most cinematic measures,
Zero Dark Thirty
is one of the best-made films of 2012. It also probably shouldn't exist.
Exodus: Gods and Kings (2014)
A biblical epic in 2014 is a strange beast indeed, walking a fine line in the hopes of pleasing both the faithful...and those audiences more accustomed to secular myths.
Black Mass (2015)
Stars Depp in a performance generating awards talk, makes a complicated story coherent without dumbing it down (much), lets a bunch of strong actors do their things, and yet inspires little more than adjectives like 'efficient' and 'workmanlike.'
Loving (2016)
An easy realism and an intimate domestic perspective on events that became consequential to national history...replacing histrionics with a genuine curiosity about what it must have been like to live this story from the inside.
Red Sparrow (2018)
A guy’s fantasy of an empowered woman’s story. She’s smart! She’s capable! She’s sexy! She’s nude! She’s degraded! Wait...
Boy Erased (2018)
On the side of truth, social justice, and human dignity...despite all that,
Boy Erased
never quite coalesces into the deeply moving and insightful film its pedigree seems to promise.
Thirteen Lives (2022)
Director Ron Howard and screenwriter William Nicholson do an excellent, bang-up job of adapting this complex story in to a feature film.
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