Groucho
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Joss Whedon
Serenity (2005)
Whedon's smart, densely plotted, fast-paced story provides ample opportunities for characterization, revealing the pain beneath the characters' defensive humor.
Dollhouse: Season One (2009)
A smart pseudo-anthology vehicle for Dushku to spread her wings (not unlike the way
Quantum Leap
showcased Scott Bakula's versatility) with a touch of
The Prisoner
in the dark overtones of the show's ongoing mythology.
Glee: The Complete First Season (2009)
Murphy has proven there's an appetite for the musical format on television, as long as it's (in alphabetical order) AutoTuned, big, bold, brassy, and candy-colorful.
The Avengers (2012)
It's quite possible that
The Avengers
has more action than any movie ever made...[but] for all its thrill-ride clutter,
The Avengers
is just about as simplistic as them fightin'-robot pictures...
Much Ado About Nothing (2013)
Whedon goes for a kind of radical naturalism, an understated approach that suggests the characters could be your friends and neighbors.
Avengers: Age of Ultron (2015)
Pure, uncut comic-book fantasy...Whedon tames the beast into something spectacularly epic, if a bit exhausting: bursting with destructive mayhem but grounded by interesting character beats, rife with dark implications but seasoned with good humor.
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