Stephen Root

Detailed and consistently funny observation of small-town sincerity muddling through a dog-eat-dog world.

Justified shares Leonard's love of character, dialogue, and situation drama, and nicely evokes its master's voice.

Seemingly conceived on the fly as much as it's shot on the fly, Louie cultivates the unexpected.

Sweet but a bit dull...Overall, the picture is good-hearted and colorful, with an ending that carries a nice touch of ambiguity about the tussle of nature and nurture.

Justified remains one of the most satisfying hours on television, creating a illusion of the social margins of Southern life that's convincing enough that we want to believe in it.

Despite the odd sharp observation, somehow J. Edgar comes off like the Max Fischer Players' production of Serpico...

Perhaps the title sets an expectation Ken Kwapis’ movie can’t quite deliver.

What's most interesting about Get Out is how it taps into the same idea to fuel both its comedy and horror: the recognition of social truths.