John Billingsley

Many Season One stories flounder through familiar-feeling alien-encounter and spatial-phenomena plots, but just as many episodes stand out for their creative energy.

Occasionally hit the heights of Trek feature-film action, and often used the plot to ask the moral questions that have been Trek's raison d'être on TV.

Repetition is what sent longtime Trek fans packing...[but the] season does muster a number of good episodes...while maintaining its high quality of production value.

Season Two of Enterprise put a lot of fans to sleep in 2002, but out of that context of 'franchise fatigue,' these twenty-six episodes...are entertaining, well-executed Trek.

If not everything works in Enterprise's Season Four, it's certainly the most consistently entertaining and well-written season of the show, a bitter irony for a show that was doomed to cancellation.

Largely feels cut from the cloth of the neorealists...[a] compelling dramatization of the strain the American economy puts on the indebted class of gig workers, and the lengths people may find themselves going to in the face of dwindling options.