Joe Pantoliano

It's easy to forget the idiosyncracies of a film that so successfully trades on adolescent male fantasies and nightmares.

Nolan built a better mousetrap of a neo-noir, using the tricky gimmick of a complex, purposefully disorienting narrative.

Something of a train wreck...[but] comedy scavengers may find it worthwhile to pick through the remains for a few amusing gags.

If you can get past the naked exploitation of this mercenary sequel, U.S. Marshals is a sort of brain-rotting kind of fun (how's that for an endorsement?).

Contemplating any of this action-comedy camp in real-world terms...would be a maddening mistake. Accept Lowrey’s assessment that 'Violence is what we do,' or pick another movie.