David Harbour

Revolutionary Road’s existential dread of unspoken feelings bubbling to the surface perhaps better resembles Tennessee Williams, a towering explorer of authenticity and self-delusion.

Were it not for a horribly transparent bit of narration in those opening moments, Thin Ice would have a better shot at working on its audience the way the filmmakers obviously hoped it would.

By setting the show in the recent past, Sorkin can productively remind or inform a broad audience of the pith of important news we've lived through...a subplot about [NSA] wiretapping...[even] gets ahead of the curve...

What’s best about A Walk Among the Tombstones is atmospheric...What’s worst about the film is its sense of generic luridness...

Stars Depp in a performance generating awards talk, makes a complicated story coherent without dumbing it down (much), lets a bunch of strong actors do their things, and yet inspires little more than adjectives like 'efficient' and 'workmanlike.'