Chris Messina

Together the film's parallel stories do make slightly more than the sum of their ingredients, cooking up undemanding summer fun.

Greenberg doesn’t amount to much, really, but it’s an enjoyably amusing character study with plenty of little pleasures.

In a time of mind-numbing rom coms, Ruby Sparks uses fantasy to get real about modern romance.

A kinder, gentler divorce comedy...Jones' commitment to portraying Celeste at least as much for her flaws as her strengths winds up making the character more likeable.

By setting the show in the recent past, Sorkin can productively remind or inform a broad audience of the pith of important news we've lived through...a subplot about [NSA] wiretapping...[even] gets ahead of the curve...

Practically dares its audience to make the mistake of taking it seriously, and yet it’s a bizarrely uplifting story of credibly tough women...survivors all, supporting each other to vanquish a sneering, preening abuser whose time’s up.