George MacKay

The film’s saving graces are the uniformly strong performances...and its intriguing subject matter...[but it] develops third-act problems as it devolves into calculated contrivances, didacticism, and sentiment.

Attempts to thread the needle of a moving anti-war film in that narrow space between...[war as] thrill ride and the filmic wizardry that, when examined too closely, rings as hollow as a war machine rapped with a wrench.

Hugh Bonneville as a posh but psychotic killer with serious daddy issues. So-so script but enjoyable enough as a pulse-pounding thriller.