Olivia Williams

A smart pseudo-anthology vehicle for Dushku to spread her wings (not unlike the way Quantum Leap showcased Scott Bakula's versatility) with a touch of The Prisoner in the dark overtones of the show's ongoing mythology.

The film’s greatest strength may well be how Sarsgaard's David, in concert with Hornby and Scherfig, seduces the audience along with Jenny, promising the world and leaving temptingly unlocked a Pandora’s Box of social ambiguity.

The director’s shrewd and witty approach to the material demonstrates his finely tuned sense of the absurd.