Walton Goggins

Perhaps its best that Predators keeps its ambitions humble, but a dearth of inspiration makes this fifth Predator film dangerously close to a rehash of the first.

Justified shares Leonard's love of character, dialogue, and situation drama, and nicely evokes its master's voice.

Justified remains one of the most satisfying hours on television, creating a illusion of the social margins of Southern life that's convincing enough that we want to believe in it.

There's a case to be made that blood-spattering revenge pictures, no matter how evil the villain, are cultural poison, but if this is what it takes to [get] Don Johnson as a dyed-in-the-wool racist done up as Colonel Sanders, well, so be it.

Though the film nakedly seeks a wide audience through conventional plotting and characterization—and despite being (like most action movies) guy-centric—Shanghai Noon provides good, clean 'family' fun.

[A] general absence of something to say...Recycles the filmmaker’s own work: the leaner if no meaner dog-eat-dog plotting of Reservoir Dogs...and a roster of no-longer-shocking offenses...

One can see the wheels turning, literally and figuratively...

A good time at the movies... If the first film felt more carefully laid out, the sequel succeeds in stoking some Pixar-style emotion in its family dynamics...