Wil Wheaton

The shakedown cruise of Star Trek: The Next Generation—may have been a bumpy one, but it got the newest incarnation of the U.S.S. Enterprise into action while winning over the 'Trekker' fanbase at large.

Trek became famous in large part for its (often corny) science-fiction morality plays...Few episodes of either series achieve this goal more elegantly than Melinda Snodgrass' 'The Measure of a Man.'

As good as, if not better than, any of the feature films that would later star the Next Generation cast.

Not only did the third season mark a quantum leap in non-niche popularity for the series, but a greater consistency in the show's writing and execution that meant a precipitous drop in fan complaints.

Exquisitely captures the vulnerability not only of youth, but of the male identity.

Under the leadership of head writer Michael Piller...the series broke the mold with the outstanding character piece 'Family.' That episode title would also serve as a pithy summation of the fourth season's primary theme.