Christopher Abbott

At least, though the insights here aren't as plentiful as Durkin seems to think, Olsen's fine work as the off-balance, paranoid anti-hero helps to create that illusion.

This feminist war dramedy...is a vanity project done right.

By focusing on Armstrong’s human perspective, First Man gives us a new window into the costs and benefits of taking 'one small step for a man, one giant leap for mankind.'