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Cliff Bole
Star Trek: The Next Generation—Season Two (1988)
Trek
became famous in large part for its (often corny) science-fiction morality plays...Few episodes of either series achieve this goal more elegantly than Melinda Snodgrass' 'The Measure of a Man.'
Star Trek: The Next Generation—The Best of Both Worlds (1990)
As good as, if not better than, any of the feature films that would later star the
Next Generation
cast.
Star Trek: The Next Generation—Season Three (1989)
Not only did the third season mark a quantum leap in non-niche popularity for the series, but a greater consistency in the show's writing and execution that meant a precipitous drop in fan complaints.
Star Trek: The Next Generation—Redemption (1991)
Perhaps the most commonly applied adjective when it comes to the Klingon homeworld episodes of
Star Trek
...is 'Shakespearean'...[given] a certain unity of voice, as well as compelling throne-room drama and civil-war intrigue.
Star Trek: The Next Generation—Season Four (1987)
Under the leadership of head writer Michael Piller...the series broke the mold with the outstanding character piece 'Family.' That episode title would also serve as a pithy summation of the fourth season's primary theme.
Star Trek: The Next Generation—Season Six (1992)
By its sixth season,
Star Trek: The Next Generation
had figured out how to maximize its cast and characters.
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