Sam Waterston

By setting the show in the recent past, Sorkin can productively remind or inform a broad audience of the pith of important news we've lived through...a subplot about [NSA] wiretapping...[even] gets ahead of the curve...

Nervy and unnerving...arguably the purest expression of Allen's cinematic vision.

[Not] a truly thoughtful and credible treatment of the unpleasant realities of Washington lobbying...[but] a hothouse melodrama that teases an ice queen’s meltdown while actually doing the hustle.

Addictive...traces that fine line between having hustle and being a hustler, a line we watch Holmes cross after being fed the exceptional stories of Silicon Valley disruptor culture.