Ben Foster

Two gripping hours so richly realized you won't want them to end.

A lurid yet fascinating look into Allen Ginsberg's formative influences...fearlessly explores dark places and the compulsion to exorcise the shadows and remake the world through art.

The unwillingness to 'engage' in larger questions disconcertingly reduces a real-life tragedy to an action movie.

One can easily understand why this story swiftly became Coast Guard legend...but its dim wall-of-grey visuals and narrative longueurs make much of the two hours a challenge to the attention span for viewers of any age.

Had a lot going for it: a strong creative vision from authorial forces who would go on to take Hollywood, a talented cast that would essentially do the same, and that premise.

Old-school bank robbery meets the new economy—and the New West—in Hell or High Water, a lean tale of cops and robbers, cowboys and Indians, and customers and bankers.

You won't ever find me calling Inferno a good movie, but I won't deny that, in dribs and drabs, it gets closer to the marks of fun and quality than I thought possible from this picturesque but dopey franchise.

A contrived but effective parable of the American West, its painful legacy, and small measures of redemption...But our focus frustratingly remains on the white people and Blocker’s struggle to reach empathy...