Alden Ehrenreich

Blanchett's edgy comic brio, in Jasmine's blithely imperious manner, magically complements her tragic mental fragility and self-defeating desperation.

In a way, the amusing, preposterous Hail, Caesar!, for all its arch postmodernism, becomes what it pastiches, resembling the kind of '50s film we can now watch and admire for a kind of cultural reflection without exactly considering it a success.

In his screenplay and performance as Hughes, Beatty offers a canny, sharply drawn, and highly personal take on the billionaire, with strong elements of lacerating self-parody. 

Like estimations of how many parsecs it takes to make the Kessel Run, your mileage may vary when it comes to Solo: A Star Wars Story.