Isabelle Adjani

Hill has remained a steadily stylish presence in the idiom of action cinema. His genres of concern tend to be the Western and the urban crime drama, and the twain meet in neo-noir The Driver.

Ozon's gender reversal of Fassbinder's The Bitter Tears of Petra Von Kant straddles camp, but it's colorful and makes a bit more of the obsessive relationship between artist & muse.